Category: Cats Horses and Other Pets

  • I Have No Idea What to Blog About, So I’m Posting Pictures of Cats

    Tenka Bellyrub
    Tenka, begging for a belly rub.

    You thought I was kidding, didn’t you? You thought you’d click through on that link and you’d maybe find a cat picture or two, but the rest of this post would be filled with meaty, substantial advice about writing, or marketing, or improving your discoverability.

    Zak Posed
    Zak in his CAT FANCY cover pose.

    But no, I’ve got nothing. Or rather, what I really want to do is get back to my super-secret new series that I’m working on, but I haven’t blogged in six weeks and feel an obligation to get a post up. Since the one thing I always have in abundance is cat pictures, cat pictures are what you get.

    So feel free to ooh and aah, or turn away in disgust (I see you dog lovers curling your lips in disdain). But this is all you’re gonna get today.

    Actually, I take that back. You can also get a screaming good deal on my paranormal romance, Hearts Redemption for a limited time. This book is usually $2.99, but until March 31st, it’s only 99 cents. Buy it at Amazon, Barnes & Noble, Smashwords.

    Zak
    Zak as an itty bitty
    kitty.
    Zak fighting aliens with his laser eyes.
    Zak fighting aliens with his laser eyes.

     

    hp photosmart 720
    “The boys,” Charlie (ginger tabby) and Casper (mackerel tabby). RIP
    Cozy
    My sweet lovebug, Cozy, gone now for many years.
  • Horse Trading, and Is Your Writing Really Ready?

    Gal canterBack in July, I blogged about how I was shopping for a new horse. I compared the process to figuring out which of the multitude of writing projects you might want to work on next. Then a few weeks later, I whined about my broken ankle and how difficult it is to wait–for an ankle to heal or for a writing career to get up and running.

    Well, my ankle is now ready for prime time (or horseback riding), but my search for a new riding partner has thus far not borne fruit. It’s not for lack of trying. It turns out to be harder than I thought to find a horse in my price range with the kind of training I’m looking for. To find one that’s not too young and not too old. To find one that’s been actually ridden and worked recently rather than hanging around getting fat out in a pasture.

    PEC 5-22-04 Indy Trot flipSo far, I’ve seriously considered more than a dozen horses. Sometimes I never even went to ride them because my trainer and I looked at video and saw they wouldn’t work for me. Others we rejected because the owners refused to send us recent video. If horse is a couple hours drive away, I want to see video first. I’d hate to drive all that way to see a horse and have it turn out be a waste of time, time I could have saved if I’d seen the way the horse moves.

    While there were a few I’ve gone to look at which were nice, but I just didn’t click with, there have also been several with peculiar stories:

    •    There was the 8-year-old that I’d thought was trained, but had barely had a few months under saddle
    •    There was the 11-year-old that hadn’t been ridden in four years. I wouldn’t have even visited this horse, except every time I asked the owner about how much work the horse had done, the story changed until I finally found out the truth when I went to see it.
    •    There were two with unusual medical problems—no fault of the horses, or the owners (they were honest), but it sure explained how cheap they were.
    •    My favorite was the “imaginary” horse. I responded to an ad and the seller sent video of a wonderful mare. But when my trainer and I tried to make plans to go see the mare in person and ride her, we were told someone else was buying the horse. The seller said if I sent half-payment, she would cancel the other deal and put the mare on a horse trailer for me. Sight unseen. Um, no.
    •    There was the lovely gelding that the seller insisted on full price for, which I reluctantly agreed to, then she refused to take a cashier’s check as payment. Cash only, she said, because she didn’t have a bank account (!). I said no thanks.
    •    There was the seller who had sent pictures of her gelding including closeups of the horse’s feet (the condition of the hooves is a very important consideration). The pictures she herself had sent showed chips, cracks, and nail holes from previous shoeings, yet the seller said the horse had great feet that never chipped, cracked, or needed shoes. My farrier gave that one a thumbs down.

    PEC 9-26-10I always like to turn my personal stories into object lessons for writers. In this case, I can see a bit of an analogy between the various horse traders and writers I’ve known who have finished a manuscript. They think they’ve got a wonderful, polished piece of work. They’re absolutely certain their manuscript is in fantastic shape, ready to hit the marketplace. They’re anticipating a huge advance for a book as great as theirs is. They’re also sure they won’t have the least problem selling it.

    Then reality hits when they submit their books to agents or editors. It gets rejected again and again: Not right for us or Not suitable.

    It could be that your book just didn’t click with an agent, like those two horses I rode that were nice, but not for me. But it’s more likely you didn’t put in your time with that book to make it irresistible.

    Sometimes buyers are glad to put in the time on an untrained horse if they see its potential. By the same token you might find an agent or editor who will see a gem in the rough with your book and be willing to help you get it polished. But just as there are far fewer buyers out there with the skill and inclination to re-make a green horse into a show-ready champion, you will be hard-pressed to find an editor/agent who’s willing to make your rough draft manuscript into a polished bestseller.

    So put that training on your horse…er, polish up that manuscript. And improve your chance of finding the agent or editor of your dreams.

    Buy the first two books of the Tankborn science fiction trilogy: Tankborn and Awakening. Buy Clean Burn, a crime novel featuring private investigator Janelle Watkins.

  • Taking Responsibility for Your Pets–Or Your Fictional Characters

    ZakAlmost three-and-a-half years ago, I had to say goodbye to my orange long-haired cat, Charlie. He was a wonderful cat, and sorely missed. But after a few months, I started thinking about how much I like having three cats and decided I would be open to the possibility of adopting another kitty.

    As circumstances would have it, a feral cat had kittens right outside my son and daughter-in-law’s apartment. My son and dil coordinated with a local cat rescue organization and planned to capture the kittens and bring them in. Sadly, they could only grab one before the rest of them scattered.

    Zak CuddlingStill working with the rescue group, they got the little kitten fairly comfortable with humans, then arranged for me to adopt him. Rather, they arranged for me to adopt her–there was a little confusion about gender, even after the kitten arrived at my house. It took me calling the vet and confirming that yes, she did a neuter and not a spay, to establish that the new addition was Zak, not Zoey.

    It had been a long time since I had adopted a kitten and a feral kitten was a…well, a cat of a different color. He lived in my office for a few weeks, and whenever something startled him (which was often), he would race into the corner under my printer, completely out of reach. He would burrow under the covers at night, keeping me awake. He would play fetch with a toy mouse. And sometimes he would hide somewhere in the house, terrifying me that he’d gotten outside and was lost.

    He’s now one of the best cats I’ve ever had, although at 13+ pounds, he can be quite a lapful. He still dips a paw into his water dish to lick it off and test it before drinking. And although he doesn’t play fetch, he’ll still run around the house carrying that mouse in his jaws.

    Awakening Final cover-sWhat does this have to do with fictional characters? Well, they may not be living, breathing beings, but they can be as complex and problematical as a finicky feral kitten. You have to consider characters them from every angle, and take as good care of them as you would that pet cat.

    How do you “take care” of a fictional character? You get to know them inside and out. You write dialogue for them that fits them, give them actions that are realistic for their personality, write a storyline for them that allows them to achieve the goals you carefully set up for them. You make them seem as real as that wide-eyed kitten I adopted.

    You don’t make them a prominent character at the beginning of the book, so your reader thinks they’re important to the story, then drop them partway through, never to be seen again. You don’t introduce them a hundred pages in, as if they’re an afterthought. If it’s a minor character that’s intended to have a small role, that’s okay. But even minor characters must be necessary to a story, and have their part to play out. They can’t just be dropped in and dropped out at a whim, any more than you would adopt a kitten for no particular reason, then return it a week later.

    Full CoverOkay, maybe I’m stretching the cat analogy a bit. I am this close to being a cat lady and could go on and on about felines until your eyes glaze over. But I’m also a fanatic about characters, about every one having a purpose, and each character behaving in such a way that makes sense. When a character acts out of character in a book, it spoils the story for me.

    So, cats or characters, make a commitment. Take responsibility. Give them the care and feeding they both deserve.

  • Horse Shopping, Or, Choosing Among Writing Projects

    I recently sold my beautiful Andalusian/Morgan mare, Belle. She and I had been together for eight years, and we learned a lot from each other. Now she’s off to a new home, helping another rider learn the fine points of dressage.

    So I’m horse shopping. I have a clear idea of what I want in a new horse: not too young, not too old. Not located too far away (not going to check out that great horse in Vermont). I definitely want an easy-going gelding. Size matters–neither a 13H pony nor an 18H draft horse will do. And there’s only so much I can spend (sadly, I’m not independently wealthy yet). Which means it might take a while to find the perfect partner. But here are some of my current options:

    TOSHIBA Exif JPEGThis is Sequoia Mambo Man, an 8-year-old, 15.2H palomino Morgan. Very cute, and sounds like the easy-going temperament I’m looking for. But not a whole lot of miles under saddle yet.

    Bentley JumpingThis is Bentley, a 6-year-old, 15.3H Quarter Horse Paint. I don’t jump like you see Bentley doing in the picture, but I’ve seen videos of him ridden dressage too. He seems to have a decent amount of training under his belt.

    Kato cropThis is SQR Kato, a 9-year-old, 15.1H bay Arabian. The owner says he’s very quiet, and he looks quite talented as a dressage horse. This one seems to have the most training of the three.

    There are a few others I have my eye on, but you get the idea.

    So what does this have to do with choosing writing projects? Well, imagine that you’ve just finished a book (let’s call it THE BEST BOOK EVER). Finished as in, TBBE is completely polished to a quality where your agent is now shopping it around, or you’ve submitted to your editor. Or if you’re an indie-pubbed author, TBBE is completely vetted and ready to be uploaded to the various online booksellers.

    Now what do you do? All those story ideas that have been shoved to the back burner while you were getting TBBE to a publishable stage are now competing for your attention. Do you work on that hysterically funny romantic comedy you’ve been dying to start? The young adult paranormal that wakes you up in the middle of the night, the scenes so clear they’re begging to be written? Or that thriller that’s so powerful you can visualize it as not only a novel, but a film?

    How do you decide? One way is to do it the way I will probably choose amongst those horses I told you about. I will probably use something like the following checklist:

    • Which one do you feel the strongest about, with which one do you have the strongest connection? Just as it will be easier for me to work with a horse I really like, it will be much easier for you to spend the months it takes to write a novel if the concept is one you feel connected to and excited about.
    • Which one is the most developed? With a horse, I’ll consider how many months or years of training or under-saddle work he’s done. With a story idea, you have to think about how well fleshed out the plot is, how developed the characters are, and how comprehensively you’ve imagined the settings or world of the characters.
    • Which one is most likely to get you where you want to go? With a horse, the one that’s best trained and has the conformation and movement for dressage would be my best choice. When it comes to story ideas, you really have to look at the reality of your career and the marketplace. Have you got two books of a thriller series out that’s just begging for a third, but you’re considering detouring into a romantic fantasy novel? Maybe not the best choice, career-wise. Better to write that third thriller, and get back to the romantic fantasy later.

    It’s possible to fall in love with the wrong horse, and quite possible to become enamored with a story idea that’s not to your advantage to pursue. Go into both transactions with a level head, a clear eye, and you’re sure to make the right choice. And remember, with story ideas (unlike horses), the one you set aside will always be waiting for you to explore later.

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  • Desert Island Necessities (What does an author really need?)

    Ferry-2A sImagine, if you will, that your cruise ship hit an iceberg, encountered a hurricane or wandered into the Bermuda Triangle. You’ve managed to escape unscathed and have landed on a desert island all by your lonesome. Abundant food is everywhere, just waiting for you to pluck it from a tree or bush, but what will ease your loneliness? And if you happen to be an author like me, how will you get your work done (sorry, no slackers, even for the shipwrecked).

    While you sit on a beautiful sandy beach bemoaning the loss of that gorgeous sequined dress (or killer tux) that you’d planned to wear to the captain’s dinner, ten crates from the wreckage float up on shore. You check the labels and are delighted to discover that these boxes hold exactly what you would most want, both to soothe you personally, and to keep you on track writing your novel, all while trapped on a desert island awaiting rescue.

    So, what’s in the first five boxes?  Here’s my list, everything I need for personal comfort:

    1) Chocolate (preferably dark)

    2) An assortment of novels (science fiction, mystery, romance)

    3) An mp3 player loaded with music (classical, country, soft rock)

    4) A house-sized tent, complete with plush air mattress (a girl needs her comfort)

    5) A flare gun (a girl can also be practical)

    And for my author side:

    1) Chocolate (a necessity for all occasions)

    2) A solar-powered, water-proof, sand-proof laptop

    3) Word processor, dictionary & thesaurus software

    4) At least a dozen ideas (Mmm, probably won’t get those from a box)

    hp photosmart 7205) A cat to keep me company (and that one definitely shouldn’t come floating up in a box)

    So what lands on your white sand beach?  What would be impossible to live without on an isolated island? If you’re an author, what would you desperately need? Let me know in the comments.