Category: Diverse Books

  • Diversify your Shelves with We Need Diverse Books

    Killer of Enemies sI had a lot of fun with this guest post for YA Books Central. We were asked to recommend three diverse books and discuss what we liked about them. This is a monthly column that I’m sharing with authors Maurene Goo (Since You Asked…) and Brandy Colbert (Pointe).

    You can find my blog post here.

    If you’d like to read Maurene’s recommendations, they’re here.

    Happy reading!

  • Taxes, Books Read, & Diversity

    3 CoversI’m having a grand old time getting my taxes organized…perhaps not. But in the course of said organization, I made a tally of books read in 2014. The bulk of what I’ve read were ebooks purchased from our Beloved Overlord, er, Amazon, and since they send an email for each book purchased, it’s easy to count them up.

    Print books I purchased at either my local Barnes & Noble (the only big-box bookstore still in my area), my local IBS* (we have a few very nice ones) and my local UBS* (again, a couple great ones) are harder to track. I’d have to (a) remember that I read it or (b) stumble across it on one of my myriad bookcases. Much trickier. Also, there are a not insignificant number of picture books I bought for my granddaughter. I include a couple below, but can’t recall all of them.

    So I won’t claim this is a complete list of the books I read. I have eliminated those I bought and started, but did not like well enough to finish. First the Amazon list:

    12 Years a Slave
    Sand Omnibus
    The Rosie Project
    Odyssey
    Hercule Poirot & the Greenshore Folly
    Pines
    Are You There God? It’s Me, Margaret
    Geeks, Girls, and Secret Identities
    Typhoid Mary
    The First Phone Call from Heaven
    A Monster Calls
    Prophecy
    Fake ID
    Blue Boy
    The Interrogation of Ashala Wolf
    Openly Straight
    The Living
    Boy Meets Boy
    The School for Good & Evil
    The Great Greene Heist
    The Summer Prince
    Magic Under Glass
    The Miseducation of Cameron Post
    The Chaos
    The Earth, My Butt, and Other Big Things
    The Only Thing to Fear
    Charm & Strange
    Underneath
    Hollow City
    Ship of Souls
    Cryoburn

    And the print books purchased from brick and mortar stores or other venues:

    Fat Angie
    Ball Don’t Lie
    Yacqui Delgado Wants to Kick Your Ass
    The Beast
    Brown Girl Dreaming
    Each Kindness
    The Other Side
    Dragonwings
    The Star Fisher
    Prodigy
    Shadow Hero (addition)
    El Deafo (addition)

    I’m pleased to note that of the 41 43 I could account for, 31 33 were books either by diverse authors and/or featured diverse main characters. Apologies for not including author names–I have a new resolution to make my blog posts quicker and simpler. If you can’t figure out the author, ask me in the comments.

    So for those who might be thinking diverse books are hard to find, do the math here. A full 75% of my reading material this year (possibly more since there might be a few I haven’t accounted for) is diverse. And there are many more I’m eagerly looking forward to reading, both new, and classics.

    Happy reading to all in 2015.

    *IBS – Independent Book Store, such as my local fave, Face in a Book.

    *USB – Used Book Store, such as my local faves, The Almost Perfect Bookstore and The Bookery.

  • #LA14SCBWI: Schmooze, Learn, Get Inspired

    DSC01353
    The view from my room at the Century Plaza #LA12SCBWI.

    I’m really looking forward to my upcoming trip to SCBWI-LA, the annual summer conference of the Society of Children’s Book Writers and Illustrators. My flight down to LA is at a much less ungodly time than my usual trips–it leaves at a very civilized 10:15am.

    Besides all the fun and inspiration of attending panels and keynotes and seeing author friends I only see at conferences, I’ll be seeing a couple of l*o*n*g time non-writer friends. We’re talking one friend I went to kindergarten with and another friend I met in college (which believe me, was a long time ago). I think my college friend and I haven’t seen each other for close to 30 years. I’m also going to be meeting up with a brand-shiny-new friend I met by chance at Burbank airport.

    diverse-logo-sI’m also thrilled to be participating in a We Need Diverse Books™ poolside chat on Saturday (more info here). This will be my first time taking part in an “official” WNDB event, so it’s pretty cool.

    Anyone else going to LA? Or any other conferences you’re looking forward to this year? There are so many great ones. Which are your favorites?

     

  • Adventures at the ALA #alaac14

    Me and StacyThis was my first trip to the American Library Association’s annual conference and it was a whirlwind tour for me. I arrived in Las Vegas around lunchtime on Friday, then headed back to the airport around dinnertime on Saturday.

    In between I packed an inhumanly large number of activities. After communing with a couple slot machines, I scoped out the convention floor, then had dinner with my editor, Stacy Whitman (@stacylwhitman), publisher of Lee and Low’s Tu Books. Librarian Nina Lindsay and fellow author Valynne Maetani (@valynnemaetani) joined us.

    On the way to the restaurant, I noticed an odd thing about Las Vegas (okay, there are a lot of odd things about Las Vegas)–all the faux architecture around town. Like the imitation Arc de Triomphe outside the Paris hotel and the fake Eiffel Tower. It’s like Disneyland for adults. A never-ending costume party as well with some very interesting apparel choices.

    Saturday morning, I met with representatives from two of ALA’s ethnic caucuses–Heather Devine from AILA and Eugenia Beh (@ebeh) from APALA. We discussed ways they could get involved in the #WeNeedDiverseBooks campaign, and how WNDB can utilize the ALA caucuses as a resource. Sadly, we didn’t think to take a selfie of the three of us. 🙁

    Me and Don TateAfter a cruise of the convention floor, I returned to the Lee and Low booth to meet fellow Lee and Low author and new WNDB team member, Don Tate (@Devas_T), who was signing at the Lee and Low booth. Seems I can’t quite keep my eyes open when I get my picture taken. I got a copy of Don’s book IT JES’ HAPPENED which will probably end up with my older granddaughter once I’ve read it a few times and had a chance to enjoy its beautiful illustrations.

    Me and Meg Medina

     

    After visiting with Don, I stopped at Meg Medina’s signing (@Meg_Medina) to buy her book YAQUI DELGADO WANTS TO KICK YOUR ASS. I later crashed Matt de la Pena’s signing, stopping to introduce myself. He was very nice about my interruption. Also, Stacy introduced me to Jacqueline Woodson and between her and Matt, I was pretty starstruck.

    Eriq La Salle I timed my return from lunch perfectly. Not just because I had a 2pm signing of the Tankborn Trilogy at the Lee and Low booth, but because Eriq La Salle (@EriqLaSalle23), the actor who played the prickly surgeon, Peter Benton, in ER, was just starting his signing. He’s writing a thriller series, self-publishing through Ingrams program. I managed to get a quick shot of him in passing.

    My own signing was great, giving me a chance to meet fans and talk to librarians about the Tankborn Trilogy. After my autographing session, I headed over to the Special Events section where the Oakland Library (@oaklibrary) was participating in a poster session. They’d put together a bunch of the beautiful #WeNeedDiverseBooks photos that they’d taken during the campaign.

    Me and Oakland Library CrewAs inspiring as it was seeing those photos come through tweet by tweet, it was amazing seeing them all together in one display. I also got a chance to meet the librarians responsible, Sharon McKellar (@sharon), Nina Lindsay, and Helen Bloch. They had sheets handy with “We Need Diverse Books” across the top for people to write their own response. Sharon took their pictures and insta-tweeted them on the spot.

    I headed back to the airport shortly after the poster session. Great conference. I’m looking forward to ALA 2015 in San Francisco. 🙂

  • If #WeNeedDiverseBooks, Why Not Just Self-Publish?

    diverse-logo-sA while back, I wrote this post. I ranted about how during the #WeNeedDiverseBooks campaign, some white folks jumped on the hashtag to flog their own books (which may or may not have been truly diverse). I got into a mostly polite back and forth with an anonymous commenter who among other things suggested that if diverse authors can’t sell their diverse books traditionally, they should just self-publish.

    On the surface, this sounds like a splendid idea. Self-publishing has become a much more acceptable route to publishing, and there have been some mega-successes (Hugh Howey and Barbara Freethy come to mind).

    But how many self-published authors have actually made a go of it? According to Bowker, in 2012 alone (the most recent statistics I could find), nearly 400,000 books were self-published. So that’s a lot of people striking it rich, right?

    Not so much. According to this study by Digital Book World and Writer’s Digest, the bulk of self-published authors (about 82%) make less than $5000 per year. The chart they included with the study shows that 19% of the 82% segment make nothing. Zero, nada, zilch. And the chart also indicates that the percent of self-published authors dwindles even more in the higher income brackets.

    So right out the gate, if a diverse author went the self-published route, they, like all self-published authors, have a lesser chance of being compensated for their work. Therefore, by being channeled into self-publishing instead of into traditional, diverse authors are almost certainly placed in a lesser position financially.

    So a diverse author self-publishing is very likely going to make less money. How about if we move to the other end of the financial issue–what it costs an author to self-publish. I can speak with some authority on this since I have a dozen or so indie-published books up for sale. Here’s what you have to pay for if you’re not publishing traditionally:

    • Editing — If you hope to have any credibility as an author, you need a clean, professionally edited book. Traditional publishers do this in-house, but self-published authors have to pay someone for this service. Costs can be $1000 and up per book
    • Cover art — You think you can do this yourself? Maybe some can, but most authors are masters of the written word, not the visual arts. Even using royalty-free clipart, authors usually don’t have an eye for composition, nor do they own the pricey programs need to put the elements together. An unappealing, amateurish cover can lose you sales, so you’ll want to hire someone experienced to do it for you. Expect to pay $100 and up for cover art per book. It will be even more if you’re going to print rather than just ebook since there’s more work involved in a full cover.
    • Formatting/Uploading — If you’re a technical whiz, you can probably handle the tedious work of getting your book properly formatted and uploaded onto the myriad of sites that sell ebooks. But as someone who has an MS in computer science, I can tell you that this process has been a trial even for me. The worst thing for any author would be to put up a book that’s riddled with errors. Believe me, readers notice and will warn off other readers. So you may need to go the route I did–hire a virtual assistant to do the work. Depending on what their hourly rate is and the formatting problems the VA encounters, I’d say it could be $50 and up per book.
    • Marketing — There are a lot of free avenues for marketing/promoting your book–Twitter, Facebook, e-newsletters. In my opinion, it’s pretty obnoxious to see a million tweets or FB posts urging people to buy your book. But it’s free…and it’s also rarely effective. A lot of people barely register those “Buy me, buy me” tweets, or ignore them entirely. So you might need to go with promotion that costs money, many of which start at $50 or so and go up into the stratosphere cost-wise.

    So before a diverse author can get their book up on the virtual shelves of online bookstores, they’ve had to spend hundreds or thousands of dollars. Money that the statistics show they are unlikely to recoup. But there are many out there (like my anonymous commenter) who think that self-publishing is a viable way for diverse books by diverse authors to get into the hands of readers.

    Expecting diverse authors, but not white authors, to go the indie route is a ghettoization of publishing. Let’s say two authors, one white, one diverse, both have a well-written, publishable book. We’re saying to the white author, “Step right up to this line, the traditional publishing line. We’ll pay for everything, and give you an advance to boot.” Then we’re telling the diverse author, “You have to go to the self-publishing line over there. You’ll have to take all the risk of getting your book published.”

    Just as white shouldn’t be the default for characters in books, self-publishing should not be the default path for diverse authors.