Karen Sandler

Category: The Writing Life

  • Taking a Risk

    My husband and I spent the week before last helping my son and daughter-in-law move into their new house. New to them, that is. The house is close to 90 years old, and has many of the “glitches” you’d expect an old house to have. Maybe more than glitches in some cases.

    I knew there was another house they’d looked at in the area and from what I recall from the Realtor’s photos, it was a newer, less glitchy home. I really liked the looks of that house and the fact that it was right next to a park. But when I asked my son about their choice between the top two, he said, “Well, there was the safe house, and there was the interesting house. We chose the interesting house.”

    I bring this up because it made me think of the whole issue of taking risks, not only in life, but in writing. If I’d been the one choosing the house, I’m pretty darn sure I would have picked the “safe” house. Yes, it was more of a suburban tract home. It didn’t have much in the way of intriguing features (unlike the “interesting” house, which has wonderful windows, a stately entry and living room, and a dining room with a cool little built in china cabinet). The safe house looked comfortable, but it was a bit blah.

    To connect this to my writing, what if I always chose the comfortable, but blah? Would I have ever sold a book, let alone the 20 that I’ve sold in my career? Would readers have eagerly looked for my books, read them with enjoyment, sighed with the satisfaction of experiencing a good story if I’d stayed “safe?” I’m thinking not. I’m thinking I’ve been better off taking the interesting road rather than the safe one.

    How about you? Do you take risks in your writing? Do you create characters, scenes, stories that are safe, or are they interesting? It might end up being more work, a more difficult endeavor. But in the end, when you take the interesting path, you have a much better chance that the book you’ve written, the literary house you’ve built, will be wow and anything but blah.

  • RTW – Creative Inspiration

    This week’s blog prompt at YA Highway is When you need creative inspiration, where do you go? My first, off the top of my head response, the shower, is a little too cliche, so I’ll offer up some other options.

    First of all, I don’t so much pursue that creative spark as find ways to leave myself open to it. That’s why the shower, cliche as it is, really does work to get me past a creative logjam. For me, writing is a problem-solving exercise and for some of those problems, I need to be away from the manuscript for clarity.

    Some favorite ways to spark my creativity:

    • meditation
    • driving
    • riding my horse
    • brainstorming
    • conference workshops

    With the first three, I can’t just grab a piece of paper to jot down notes (well, I suppose I could when I meditate, but that would defeat the purpose of meditation). I don’t have a phenomenal memory, so instead I’ll work through the solution in my mind enough times to ingrain it (I hope) well enough that I’ll remember it later.

    I often end up brainstorming with my husband when I’m driving, which leaves him to take the notes. At a conference, I’ll have either a notepad or notebook computer to jot ideas down.

    There’s a theme here: I need to put my brilliant ideas in writing as much as possible. Often once I’ve written them down I don’t need to refer back (the act of writing sets it in my brain), but if I don’t inscribe them somehow, they dissolves like mist. Frustration ensues.

    Regarding the last item on my creative inspiration list–conference workshops–I should mention that I don’t find inspiration in workshops about inspiration. Oddly when I’m sitting listening to an agent speak about the publishing market or a bestselling author talking about their career, solutions to my current writing problems start popping up in my brain. I guess just being in the milieu helps me be creative.

    So my secret to creative inspiration–walk away from the problem, give your brain time to clear. And the answer will flow right in.

  • Adventures in the e-Trade – Part 2

    I decided to start my foray into self-publishing with my two Berkley Jove Haunting Hearts books, Unforgettable and Night Whispers. These were the only two books for which I did not have an electronic file. There were my original files, but I wanted to start with the final edited book. That I had only in printed form.

    So I sacrificed one author copy of each book, sending them off to Blue Leaf Book Scanning. Since I was willing to let them cut the books up to make scanning easier, the cost for scanning two 300+ page books was quite reasonable.

    They did a decent job, but it still took a good long time to correct the errors. Besides misinterpreting letters (a cl might become a d), paragraphs throughout were often chopped in two mid-sentence or even mid-word. Sometimes italics became plain text, so I had to flip through the physical book to make sure text that I wanted italicized was indeed italicized.

    I made several passes to correct scanning errors, then at least one editing pass. My cover artist was busy with the covers for the first two books (the final for THE IN-BETWEEN, formerly UNFORGETTABLE, is above), so when the manuscript was ready, so was the cover.

    But nailing down the typos and polishing the prose was only the first step. Next I had to make sure the manuscript was in a format that would easily and correctly convert to Kindle (I’m mainly selling my books through Amazon). I had to make sure that where I wanted blank lines, I had to use the before/after spacing option in Word rather than just hit enter. I had to make sure I was using indents for each paragraph rather than tabs. Without these two crucial fixes, the converter would ignore all my paragraph indents and blank lines. I of course had to do manual page breaks where I wanted a new chapter to begin.

    I then had to wrestle with the converter program I’d decided to use, Mobipocket Creator. In my opinion, the interface is a little goofy and klugy. It asks for information (pricing, for instance) that you will then have to enter again when you put the book up on Amazon. It is not at all clear how to, say, change the cover art or substitute in a new book file without deleting everything and starting all over. I am a very experienced computer user, but many aspects of Mobipocket Creator baffled me.

    I did finally get the book into Kindle format (which I could check out using my PC Kindle reader). I discovered with subsequent books (I’ve done seven so far and intend to do two more) that the best time to check for those final little issues is using your PC Kindle reader. It’s far easier to navigate through the book there than later when you’ve uploaded it on Amazon’s website.

    Once the converted file was ready, I filled in the forms on Amazon, uploaded my cover image and .prc file and waited the couple days for that book to be published. In the case of the first two books, I went ahead and also submitted them to Smashwords as well. That necessitated me inserting certain language on the copyright page, so I had to have a separate version of the book just for Smashwords. Assuming you meet the qualifications, Smashwords will put up your book on Koby, Nook (Barnes & Noble), Sony, and the iStore unless you opt out of any of those venues. It’s been a little trickier getting them taken down (which I’m trying to do, to make these first two books exclusive on Amazon as the rest are), but I think I have it nailed now. Their customer service is not as responsive as I might like, but they have a lot of authors to take care of.

    Side note: Why am I going exclusive with Amazon? Because in their KDP select program you get a couple of bennies: free days (up to 5 where you can offer your book free) and inclusion in their Amazon Prime library. Also, I found it tedious working with Smashwords, and after selling a whopping 3 books there, it didn’t seem worth the effort. I confess to a certain amount of apprehension contributing to the unvanquishableness that is Amazon, but I’m doing well there sales-wise and making some decent money. Hard to pass that up.

    Going back to The In-Between (formerly Unforgettable) and Dark Whispers (formerly Night Whispers), it was a whole rigamarole figuring out I wanted to change the titles and author names after I’d published them. The cover art change wasn’t a problem, since my artist is so easy to work with. And it was simple enough changing the book title and author on Amazon. But I couldn’t make heads nor tails of how to accomplish the same task on Smashwords. Apparently there’s a way, but I never figured it out. I ended up abandoning one account and adding a second one, which led to no end of confusion when I decided to unpublish my books from there.

    So, be sure of your title and author name before you request your cover art and start the publishing process. Otherwise you’ll be chasing your tail trying to fix things when you really just want your book up for sale so you can start building an audience.

    One last note regarding self-publishing. As I mentioned in a previous post, all the books I’ve put up on Amazon are books I’d already made money on, that had already been edited. They’d proven themselves by having been either traditionally or small press published.

    I won’t tell anyone not to self-publish a book they’ve either not been able to sell traditionally, or are choosing not to go the traditional route at the outset. But I beg you not to toss any old bowl of spaghetti against the publishing wall (i.e., to see what sticks). Get the book vetted first by writer friends you trust, or beta readers, or pay an editor if you can afford it. I’ve discovered some dreadful books using Kindle’s sample feature and more often than not, they’re (a) self-published and (b) the only book the author’s written. Pul-leeze, learn your craft first.

    Any questions? Ask ’em in the comments.

  • Adventures in the e-Trade – Part 1

    Kensington Books published my first two romance novels, Just My Imagination and Table for Two, back in 1998 for their Precious Gems program. Not long afterward, I sold two to Berkley Jove’s Haunting Hearts line, Unforgettable and Night Whispers, which were released in 1999. (side note: when my Night Whispers came out, there were two other books available with the same title, one by Judith McNaught).

    Within that same time period, I sold my first e-book, Eternity, a science fiction romance, to Hard Shell Word Factory, which was strictly an e-publisher at that time. I later ended up selling them one other original romance, The Right Mr. Wrong, and an original middle-grade book, Time in a Bottle. In 2000, when rights to my two Kensington books reverted to me, I sold those to Hard Shell too. One other romance, Chocolate Magic, which originally came out in hardcover and then trade paperback from Thorndike Press, eventually became a Hard Shell e-book as well.

    But I didn’t stop with selling rights to those early books only to Hard Shell. I discovered the large print market and was able to sell all  of my first six romances as hardcover large print. That meant that for Just My Imagination and Table for Two, I sold various rights to three publishers within five years.

    This is all prologue to what I’m up to now. Rights for all of the above-mentioned books reverted to me August 2011. Since then, I’ve been republishing the books one by one as Kindle e-books.

    It’s been a steep learning curve. First, the cover. I am not a visual artist. I just don’t have the patience to search through online clip art, nor the talent to put images together into a cover. No clue at all as to what would look good.

    I was lucky enough to find a cover artist who’s quick and reasonably priced. She uses royalty-free clip art to keep costs down, and has a good eye as to what elements work for a given story. I’m astute enough to look at what she’s done and suggest changes as needed, but I don’t have to create the cover myself.

    My second problem was the author name issue. In the last couple years, I’ve switched from romance to the children’s market (young adult). It wasn’t so much that I didn’t want my YA readers to figure out that I’d written romances as Karen Sandler (Harlequin is still selling all the romances I wrote for them under that name). It was more a marketing issue. I didn’t want to tweet about my romances using my @karensandlerya identity on Twitter, for instance. I didn’t want to advertise my romance novels on my karensandler.net website. Which meant I needed a new identity.

    I’ve always wanted to use my mom’s maiden name, Russo, as part of a pen name. With that as my surname, I only needed a first name. I had the perfect choice right at my fingertips, so to speak–Kayla, the name of my main character in my YA book, Tankborn. So my romance identity became Kayla Russo.

    I also started thinking that maybe I ought to be retitling my books. For the most part, I was going for something a little less generic. I also wanted a fresh start on the books. It’s not that I wanted to fool anyone into thinking these are brand-new books. There’s a note inside each one identifying the original title and publisher which a reader can find by downloading a sample. But I wanted to catch the eye of those who might not have heard of me before with (hopefully) more clever titles.

    Unfortunately, I didn’t make the decision to change my name or the titles until I’d not only had the covers created, but had also put up the first two books for sale. Having my cover artist make the name/title change was the easy part. Getting the books updated on the venues I’d submitted them to was a whole other story. I’ll get into that in part 2.

     

  • RTW – Dream Writer’s Conference

    This week YA Highway‘s Road Trip Wednesday asks, What book and/or writing conference would you love to go to? I’ve been lucky to attend tons of great writers conferences over the years (the majority of them RWA annual conferences when I was a member). And this year I’ve attended two already (LTUE & Spring Spirit) and have a couple more great conferences planned for the latter half of the year (the SCBWI annual summer conference and the 2012 Novelists, Inc conference).

    There are a couple of conferences I dream of attending every year. The first one looks like I will only be able to attend in my imagination–the Maui Writer’s Conference. A quick search on Google tells me that after 17 years, Maui Writers has died. No new conferences since 2009.

    But it always sounded like the coolest (albeit quite expensive) conference ever. First of all, who wouldn’t want to go to Maui? It was always over Labor Day weekend, so you already had that extra day off. And I know of one author (James Rollins) who told me he sold his first book thanks to the Maui Writer’s Conference writing competition.

    Well, putting aside now imaginary writer’s/books conferences, on to reality. I’ve attended BEA once and that’s a conference I’d like to attend again. Also, ALA, which happens to be in Anaheim this year and I ought to attend since it’s reasonably close. (Note: Tip from a conference-attending pro. If the conference is a short drive or plane ride away, scrape your shekels together and attend).

    In the farther away category, I’ve always thought it would be cool to attend one of the big foreign rights book fairs. London, Frankfurt, or Bologna would be great destinations for a combo author’s business trip and vacation. I’d love to see what one of those big international book fairs are like, even thought they’re not geared towards authors.

    This wasn’t part of the original question, but of the conferences I’ve attended, I’d highly recommend the RWA conferences (expensive, but plenty of good general information), LTUE for speculative fiction, and the SCBWI conferences for children’s lit, of course (smaller local ones can be especially valuable). Wear comfortable shoes and layers for the over-air-conditioned rooms and you’ll have a great time.