Category: The Writing Life

  • Adventures at the ALA #alaac14

    Me and StacyThis was my first trip to the American Library Association’s annual conference and it was a whirlwind tour for me. I arrived in Las Vegas around lunchtime on Friday, then headed back to the airport around dinnertime on Saturday.

    In between I packed an inhumanly large number of activities. After communing with a couple slot machines, I scoped out the convention floor, then had dinner with my editor, Stacy Whitman (@stacylwhitman), publisher of Lee and Low’s Tu Books. Librarian Nina Lindsay and fellow author Valynne Maetani (@valynnemaetani) joined us.

    On the way to the restaurant, I noticed an odd thing about Las Vegas (okay, there are a lot of odd things about Las Vegas)–all the faux architecture around town. Like the imitation Arc de Triomphe outside the Paris hotel and the fake Eiffel Tower. It’s like Disneyland for adults. A never-ending costume party as well with some very interesting apparel choices.

    Saturday morning, I met with representatives from two of ALA’s ethnic caucuses–Heather Devine from AILA and Eugenia Beh (@ebeh) from APALA. We discussed ways they could get involved in the #WeNeedDiverseBooks campaign, and how WNDB can utilize the ALA caucuses as a resource. Sadly, we didn’t think to take a selfie of the three of us. πŸ™

    Me and Don TateAfter a cruise of the convention floor, I returned to the Lee and Low booth to meet fellow Lee and Low author and new WNDB team member, Don Tate (@Devas_T), who was signing at the Lee and Low booth. Seems I can’t quite keep my eyes open when I get my picture taken. I got a copy of Don’s book IT JES’ HAPPENED which will probably end up with my older granddaughter once I’ve read it a few times and had a chance to enjoy its beautiful illustrations.

    Me and Meg Medina

     

    After visiting with Don, I stopped at Meg Medina’s signing (@Meg_Medina) to buy her book YAQUI DELGADO WANTS TO KICK YOUR ASS. I later crashed Matt de la Pena’s signing, stopping to introduce myself. He was very nice about my interruption. Also, Stacy introduced me to Jacqueline Woodson and between her and Matt, I was pretty starstruck.

    Eriq La Salle I timed my return from lunch perfectly. Not just because I had a 2pm signing of the Tankborn Trilogy at the Lee and Low booth, but because Eriq La Salle (@EriqLaSalle23), the actor who played the prickly surgeon, Peter Benton, in ER, was just starting his signing. He’s writing a thriller series, self-publishing through Ingrams program. I managed to get a quick shot of him in passing.

    My own signing was great, giving me a chance to meet fans and talk to librarians about the Tankborn Trilogy. After my autographing session, I headed over to the Special Events section where the Oakland Library (@oaklibrary) was participating in a poster session. They’d put together a bunch of the beautiful #WeNeedDiverseBooks photos that they’d taken during the campaign.

    Me and Oakland Library CrewAs inspiring as it was seeing those photos come through tweet by tweet, it was amazing seeing them all together in one display. I also got a chance to meet the librarians responsible, Sharon McKellar (@sharon), Nina Lindsay, and Helen Bloch. They had sheets handy with “We Need Diverse Books” across the top for people to write their own response. Sharon took their pictures and insta-tweeted them on the spot.

    I headed back to the airport shortly after the poster session. Great conference. I’m looking forward to ALA 2015 in San Francisco. πŸ™‚

  • Thanks for Adding to the Conversation–But Could You Sit Down and Listen Now?

    weneeddiversebooks-share-revThe first tweet featuring the #WeNeedDiverseBooks hashtag appeared on April 24th, 2014, and since then the campaign has exploded worldwide. The topic was trending on Twitter days before its official three day inauguration, with dozens of people answering the question: Why do we need diverse books?

    Those dozens became hundreds, the tweets surged into the tens of thousands and the number of impressions for the hashtag mushroomed into hundreds of millions.

    I’m very excited to be on the WNDB campaign team, and I’m thrilled at the attention we’ve been getting from media and like-minded people everywhere. But there are some among us that I’d like to have a little conversation with.

    SCBWI Holiday MixerFirst off, a declaration–I’m white. More specifically, I’m a white author. I’m not rich and famous like @realjohngreen or @_SuzanneCollins, but I’m multi-published. And a few of my published books feature main characters of color.

    So you might think I’m on Easy Street being involved with the #WeNeedDiverseBooks campaign. That I have this giant platform to stand on to trumpet to the world about my books. That I might not be rich and famous now, but I will be soon because I can slap that #WeNeedDiverseBooks hashtag onto the three hundred Twitter posts I’m planning to tweet, complete with “buy links” of my diverse books.

    Erm…no. I have not used that hashtag to promote my own books, nor do I intend to. And here’s where I have to have a little conversation with all you fellow white authors out there.

    Be honest–have you used the #WeNeedDiverseBooks hashtag to promote your “diverse” book? Maybe posted something like “#WeNeedDiverseBooks and that’s why I wrote DUCK AND WOLF ARE FRIENDS. Buy it here:”

    diverse-logo-sPlease stop. Don’t do that. Number one, you’re white, and a big part of the WNDB campaign is to support and encourage diverse authors, not just diverse books. Number two, you’re white, and while I don’t know this for certain about your particular book, there’s a possibility that you have not done your homework and even with the best of intentions, what you think are diverse characters are actually full of offensive stereotypes.

    And number three, no matter who you are, as unseemly, tacky, and distasteful as it is to go around blaring to the world on Twitter that people should go out and buy your book, it’s even more unseemly, tacky, and distasteful to do so in the guise of being a supporter of diversity.

    Because the way so many of my fellow white authors jumped in, I had to wonder just how important diversity was to them before #WeNeedDiverseBooks made such a big splash. Whether they’d been on the diversity soapbox for years like Ellen Oh and Malinda Lo. Whether those white authors show their support of diverse authors by buying their books, or if they just saw a topic trending on Twitter and jumped right in to take advantage.

    Maybe the white authors I saw tweeting about their “diverse” books weren’t as opportunistic as they seemed, jumping on the bandwagon of a successful movement. If nothing else, the campaign has certainly demonstrated that there are people of good will everywhere. All those eager promoters might just be people passionate about diversity.

    Either way, I beg of you, white authors. Tout your book on Twitter if you must. But, please, please, leave off theΒ #WeNeedDiverseBooks hashtag.

  • The One Dumb Thing I Did = A Nasty Review That Will Last Forever

    Karen_Redemption_72dpi(750x1200) Amz-BNLike many authors, I have a love-hate relationship with reviews. When I discover a new review of one of my books on a blog, Amazon, or Goodreads, I kind of look at it sideways, squinting as I read it. I’m relieved when I see a fabulous story orΒ a top favorite! which prompt an fully open eyed examination. On the other hand, the disheartening a bit slow at times and the dreaded This is not a good book make me want to hide under a rock.

    But like every author, I’ve come to accept that no matter what I write and how hard I work to create it and how wonderful my editor and I think it is, my work is just not going to appeal to every reader. It is just not to their taste, although they thought (hoped) they’d enjoy it when they bought it. I know this is true because I’ve done the same thing. I’ve heard good things about a book and picked it up, but what appealed to others, even when it’s a best seller, just fell flat with me.

    WEB IN-BETWEENSo although my little writer’s heart twinges when I see a one or two-star review on Goodreads or Amazon, if it’s accompanied by a thoughtful review, I can accept that this reader did not care for the book. They read it, they thought about it, they are invested enough in books and reading to spend the time writing a review, and that’s a good thing. It’s good to know there are people engaged enough in the written word that they want to share their opinion of it.

    There is, however, another kind of review that just burns my jets. No, it’s not the snarky This is the stupidest book I ever read, or even Gosh, this thing is full of typos. It’s an entirely different animal that’s unfair to authors everywhere: A review where the reviewer didn’t even read the book.

    Unforgettable IndieThis requires a story. A somewhat embarrassing story.

    When I first started putting up my previously published books as indie ebooks a few years ago, I was green as grass. I struggled through the formatting and uploading and filling in the myriad boxes Amazon required (I started out only on Amazon). I finally got the first one up, then re-thought the title, and dithered over whether I should use my own name or separate my romances from my YA books by using a pen name. You see some of those seesawing decisions in the cover art posted here.

    After the book had been up for a while (with few sales), I decided I should put up some backstory about how I came to write the book. I was so new to this whole thing that I didn’t realize there was a handy place in the Amazon author pages where I could put something called “Author Notes.” I thought my only choice was to post the information in a review (thinking it was kind of like adding comments to a blog post).

    Unforgettable Lg PrtSo I merrily wrote up my cool backstory material as a review. But when I clicked the “save” button, Amazon insisted I had to add a rating. I didn’t want to add a rating. It didn’t seem right for an author to rate her own book. But Amazon wouldn’t accept my “review” (which was by no stretch of the imagination an actual review) without a rating.

    I may have been completely ignorant to the ways of the indie-publishing world back then, but I wasn’t an idiot. If I had to rate my own book, I was going to give it 5 stars. So I did. And the sky fell on my head.

    There are apparently people out there who feel it is their duty to (a) beat authors over the head when they do something stupid and (b) berate them when something is posted on their book page that they have no control over and (c) accuse the author of underhanded doings when the author had nothing to do with what they perceive is underhanded, all while never actually reading the book they’re reviewing.

    Unforgettable MMHave you ever read The True Story of the Three Little Pigs by Jon Scieszka? Where the Big Bad Wolf tries to set the story straight about what really happened between him and the pigs? That’s how I felt.

    Here’s her review, btw, so you can follow along.

    Her first critique, that I’d given the book a 5 star review, I plead GUILTY. I did it. I confess. And when I realized what a transgression I’d committed, based on comments by a couple other members, I hastily removed the review, my cheeks flaming. However, the fact that I’d fixed my mistake seemed to make me more suspect, not less.

    Her second critique, that there were three reviews by the same person, I swear I had nothing to do with that. That was some kind of glitchy thing that Amazon did. I did not put up three copies of the same review (jeez, why would I?)

    Her third critique, that there were three different versions of the book, with two different titles and two different authors, I was certainly partially responsible for that. As I said, I decided to re-release the book under a different title, using a pen name. But a couple of the editions she objected to were the original mass market book (which I wrote, but Berkley published in 1999), and the large print edition that followed (which Ulverscroft published in 2006). I have no control over those books or their prices (which was another point of contention). In fact, my deal with Ulverscroft was flat rate, so the fact that they’re currently charging $29.95 for the book (kaching!) benefits me not at all.

    I really, really, really wanted to engage the reviewer on all these points. But rule #1 of reviews is that the author should never talk back to the reviewer (I even think thank yous for a good review are kinda smarmy). So I kept my trap shut (well, until now), asked friends to comment on the review (which a couple nicely did), asked Amazon to take it down (which they refused to do, hence the “forever” part of this), and have just lived with it.

    If this person had read the book and given it a 1 star review because she didn’t like it, I would have wept, but come to accept it. But to gripe about a book you haven’t read because you don’t like the price, or the fact that Amazon put up multiple copies of the same review, or the author made a numbskull mistake (which she corrected!), seems mean.

    Okay, climbing off my soapbox now. If you’d like to check out my indie and tradpub books, visit my website. And can anyone loan me a cup of sugar?

     

  • Beware the Facebook Ads

    FB Author Page ScreenshotLike a lot of people, I use Facebook to stay in touch with family and friends. I also use it to promote myself as an author, although I’ve found it to be pretty ineffective in that respect (as I posted here).

    But while it’s fun to catch up with the family and some of the posts are very entertaining, Facebook can be a dangerous place too. Dangerous, that is, in terms of sending you off to websites that might add a little something extra to your computer that you’d just as soon not have.

    FB Ads ScreenshotYou’ve probably noticed the “Sponsored” content over on the right hand side of your Facebook page. Lots of ads there, some of them quite enticing. They change frequently. To the right is a screenshot I took of ads that appeared on my page recently.

    You might have to click on that image and enlarge it to read the text. It’s perfectly safe to click since it’s just a jpeg image.

    But the original ads would not have been safe to click. Although each one has a link displayed as part of the ad (enchantmen.com, lyft.com, weightwatchers.com, zulily.com), the true link for each ad is entirely different. Clicking that ad will send you not to Weight Watchers or Zulily, but to a site with malware.

    As a user of Facebook, this is distressing, both with regards to the damage these sites could do to my computer, but also because of the fraud aspect. Facebook is taking money from companies that represent themselves dishonestly.

    As an author who has used Facebook to promote, this is unsettling because I don’t want ads for my books to appear alongside scams. How would a reader know whether a click on my book cover would take them to Amazon where they can buy my ebook, or if they’ll end up on a site that downloads some kind of malware onto their computer?

    Facebook does have a form I can fill out to report these fraudulent ads. But honestly, I’d be submitting forms all day long because based my observations, few of the ads in the sponsored section are genuine. Maybe my Facebook page is a scam magnet, and no other users out there are having the same experience as me. But it seems to me that Facebook is not performing due diligence in allowing those ads to run in the first place. And I’d say it’s their responsibility to fix the problem and not mine.

    Here are some guaranteed genuine links for my latest books. Just click on the cover to buy.

    Full Cover-s Tankborn sml Awakening Final cover-s

  • Never Eat Popcorn at a Book Signing, and Other Tips

    Signing Placerville 12-21-13
    The Placerville News, in operation since 1856.

    I’ve done a fair number of book signings, sometimes alone, sometimes with other authors. I’ve done them in bookstores, at libraries, and outdoors. I’ve done talks and then signed my books, or just sat at a table with my books piled high, watching folks avoid eye contact with me as they passed me on their way to the cookbook or self-help section. πŸ™‚

    Usually I’m indoors. Or when I am outdoors, it’s in a lovely, temperate season (such as the springtime book signings I did at a lovely daylily farm). I’ve had signing where I’ve sold many books, a few books, one book, and zero books. I always start my signings full of hope, but while I do my best to pitch my books to passersby, it’s considered bad form to tackle them and force it into their hands.

    Me and the Cowboys
    Always handy to have a few cowboys at your side.

    My most recent signing was a real adventure in that it was outdoors and it was freaking cold. Combine Placerville’s nearly 2000 foot elevation with the first official day of winter, add in me standing in the shade along a section of street with a wind tunnel effect, and you have one mighty cold writer. It didn’t help that I hadn’t brought a jacket. By the end of the three hours I stood behind my table, I was a Popsicle.

    I do learn something at every book signing I do. Here are a few new tips in no particular order:

    Stagecoach 12-21-13
    This pair of Standardbred horses pulling the stagecoach are 28 years old and former harness racers. When they trot up the alley, you’d better get out of their way.
    • Make sure you understand the terms

    I’d arranged with Placerville News to do the book signing, but I’d brought my own copies. I’d expected to sell the books myself from my table. The store expected that customers would bring the books inside to purchase them and the store would take a cut. I was able to negotiate the split with the store, but I should have gotten that worked out before signing day.

    • For outdoor signings, be prepared for the weather

    I shoulda known better. I’d brought a heavy coat the year before, but I didn’t want to wear wear it this year because it was kinda ugly. I suffered for that decision. Did I mention how cold I was?

    • Stand behind the table rather than sit

      Full Cover-s
      Click on cover to buy CLEAN BURN

    I’ve actually been following this tip for quite a while. If you stand, you’re at eye level with your potential readers. It’s much easier to engage with them. You’re able to at least say hi as they pass by, and maybe they’ll get curious enough to stop and check out your books. Of course if you’re physically unable to stand all that time, you’ll have to sit. But you’ll still want to say hi and smile, smile, smile.

    • Stay off your cell phone

    I was a little naughty in ignoring this tip. I was pretty discouraged at first with how my signing was going. I texted a pity-me message to my husband, then got preoccupied with checking for his response. But for the most part, I left that distracting device in my pocket. It’s too hard to engage with potential buyers if you’re texting or playing Words with Friends.

    Awakening Final cover-s
    Click on cover to buy AWAKENING
    • Don’t eat popcorn during a signing

    Yes, I munched a box of popcorn during the signing. And was horrified afterward when I saw my teeth. Ugh. Very embarrassing. My only excuse is that because the signing started at noon, I hadn’t had lunch beforehand. I was starving. People kept coming out of the store with popcorn and I just couldn’t resist. Now I understand why kids who wear braces aren’t allowed to eat popcorn. That stuff sticks everywhere. Double ugh.

    • Have fun

    It’s tough sometimes when you’ve stood there for what seems like an eternity and you haven’t sold even one book. But you never know if the person you engage in conversation during a book signing will later check out your books online and become one of your biggest fans. That memory of meeting you will stick with them, and you want to leave them with a positive impression.

    Anyone have any tips of your own? Experiences (or horror stories) that you’d like to share? I’d love to hear about it in the comments.