Tag: andalusian

  • Horse of a Different Color and How Writing Matures

    I’m lucky enough to own a beautiful mare named Belle. She’s half-Andalusian and half-Morgan, and a gorgeous gray. She just turned 16 a couple weeks ago.

    If you don’t know horses, you might not realize that 1) most of the “white” horses you see are actually grays, and 2) gray horses always start out as a different “normal” horse color. They might be black, or bay (brown with black mane, tail, and lower legs), chestnut/sorrel (a coppery color all over), even paint (spotted). Eventually though, they all end up like my mare Belle is now.

    Check out the “before” (when she was about 4 years old) and “after” (taken yesterday at age 16). Yes, same horse.

    Young Belle1Belle Eating2s

    Another interesting fact about gray horses is that in some breeds (Andalusian & Lipizzaner, for instance), nearly all the horses in that breed are gray. In others (Morgans, for instance) few are gray. So a non-gray Andalusian is very desireable, and a gray Morgan would be quite unique. Another fun fact: since a gray horse starts out looking non-gray, breeders will send DNA (hair) to testing labs such as at UC Davis to test for color. If they have a black Andalusian, they want to know for certain it’s going to stay black, especially if they’ll be breeding the stallion or mare.

    Gal canterI didn’t bother testing Belle’s DNA since she was already a dark dapple gray when I bought her. She’s half-Morgan (her dam was chestnut) and half-Andalusian (her sire was gray), and I guess the gray won.

    That’s her at age 8 to the left. You’ll notice that although her body is quite dark, her face is nearly white. Horses tend to start graying on their face. That white star on her forehead you can see it in the first picture above has blended in with her white face.

    So what does this have to do with writing? Well, on the surface, nothing. But it got me thinking about two ways writing and a writer changes and matures just like a gray horse does. First, writing matures through revision, which I talked about in my last blog post. You could say a book matures from its infant self (the rough draft), to its grade-school self (first read-through), to its teen self (post-developmental edit re-write, to its adult self (polished final draft) throughout the stages of revision.

    The second way a writer and her writing matures is through time and experience. That’s mainly experience as a writer, but also experience with the outside world. Years and the kind of life led (different for everyone) change perspective. The things you see happening to others, or participate in yourself, can all become fodder for your writing. What happens in your particular life will change your writing and improve your ability to write your characters and describe their experiences.

    That’s not to say that someone in their teens couldn’t write an elderly character, for instance. I don’t have to be a man to write a male character. I don’t have to be an evil villain to write one. I just have to observe, ask questions, and use my imagination.

    But my years (do I have to mention how many?), maturity, and the experience that comes from writing 20+ books have led me to write that male character or that evil villain much differently than how I would have written him a couple decades ago. In fact, I am right now revising a 20-year-old book from my backlist so I can indie-publish it. While I’m pleasantly surprised that most of the writing holds up, some of the characterization doesn’t. I’ve learned tons more about character since I wrote this book. I also noticed signs of “first time author syndrome” throughout that early book. Overuse of adverbs, trying too hard with descriptive passages, clunky dialogue. What seemed to work twenty years ago I realize has to be revised. Seeing it through the lens of a couple decades of intense experience writing novels makes all the difference.

    So, two lessons to be learned from this. 1) you’re going to write some great stuff early in your writing career. Some of it will be beautiful, just like Belle was a real looker as a 4-year-old (yes, I found a way to turn this back around to horses). 2) You’re going to continually learn and grow and improve. When you look back at your earlier prose, you might cringe. But you’ll also have the satisfaction of knowing you got better as you matured as a writer. Your writing developed and became even more gorgeous (just like Belle :-)).

    photo2Have you seen that progression already? If so, what’s one thing about writing you’ve learned with experience? Or if you’re not a writer, is there another area of expertise in which you’ve learned and grown? I’d love to have you share in the comments. Tell it to the hoof!

  • Give Your Story Its Head? Or Keep it on a Tight Rein?

    PEC 9-26-10I am a horse person. Maybe better to say I am horse-obsessed. If I’m fast-forwarding past the commercials in a DVRed TV show, I’ll hit pause if I see a horse (gotta love those Budweiser Clydesdales). When I’m out driving in our semi-rural area, my gaze will rove over the surrounding pastures, admiring the bays and appys and chestnuts and grays (those are horse colors for the uninformed) ambling about. I’ll walk up to total strangers in the supermarket and strike up a conversation if they’re wearing chaps and boots.

    I ride my Andalusian/Morgan mare 3-4 days a week, mainly in the arena. Although she’s a nice horse on the trail, mostly I do dressage with her. That’s one of those equestrian disciplines that’s fascinating for its participants and dead boring for everyone else. A horsie friend’s hubby has a T-shirt that says, “Whoever said life is too short has never watched dressage.”

    When riding dressage, the movements are pretty controlled on the part of rider and horse. The horse has to be very attentive to the rider, to pay attention to each request made of her and be ready to segue into the next.

    On the trail, on the other hand, I ride my horse on a loose rein, let her take a gander at the countryside, admire the view, maybe snatch a little mouthful of grass. She should still pay attention to me (I’m not letting her march me through the poison oak, no way no how), but it’s supposed to be more relaxing for horse and rider. Plus, if she smells a mountain lion and takes off running, I’m gonna let her take the lead.

    Char SketchSo, what about your writing? How do you approach it? Do you keep it on a tight rein? Do you pin down every little detail about your characters, the plot, every turning point, dark moment, what and where the climax will be?

    Or do you just sit and start writing, pages and pages of stuff in some sort of free form way? Characters popping up as you go, the story revealed to you just as it will be revealed to the reader (mega-bestselling author Lee Child said he does it that way).

    Which way should it be? To some extent, I think it depends on the writer. I personally like some of that dressage-like preparation. It also depends on what you’re writing–a first draft? Go ahead and gallop down that trail if that works for you. A final draft? Mmm, maybe you need to get a better grip on the reins. Do you know who all your important characters are? Do you know what their goals and motivations are? Do all those great scenes that spilled out have a place in your story? Do you have a lot of repeated word usage, or overused imagery that you need to change or cut out?

    If so, it’s time to tighten those reins a bit. All that freedom to do what you want has to be traded in for the discipline of the rewrite. You’re doing arena work now, keeping focused on what the manuscript needs you to do, improving each paragraph the way a dressage horse improves the beauty of each move it makes.

    Gal canterSome people don’t want the restraint on their freedom. They want to just keep running headlong through their manuscript. They chafe at feedback that suggests change. Well, if you never want to publish a book that someone will want to buy, write it anyway you like. But just like me letting my mare trot sloppily into the show ring, you’ll never get the blue ribbon, or a book sale, that way.

    So use the beauty of your creativity along with the discipline of your craft. And go and create something wonderful.

    Meanwhile, I’m gonna go ride my horse.

  • Horses & Barn Doors

    My mare is an escape artist. She let herself out of her stall today and went walkabout. I arrived for a ride to discover her stall gate wide open and the stall empty.

    Who me? Open my gate? I would never…

    Luckily, she stayed on the property. Why not? All her buds are there and there’s all that grass to munch.

    And she was a good girl when I went to catch her. She’s been known to woo-hoo all over the property evading capture. Since she was likely out for several hours, I guess she was ready to come in from the cold.

    Yes, I am beautiful.

    Of course, when you look at that face, it’s hard to stay mad. But next time, I’m double-locking that gate.