Tag: GEN

  • Brain-Digital Interface

    Sometimes science is stranger–and creepier–than fiction. In my young adult science fiction book, Tankborn, genetically engineered non-humans (GENs) are grown in a tank with circuitry implanted along their nervous systems, including within their brains. An interface installed on their cheek (in the form of a tattoo) allows a trueborn to upload data and programing into a GEN and download the contents of much of their brain.

    In the realm of actual science, author Jonathan D. Moreno discusses in his book Mind Wars potential use of using the human brain for military advantage. For instance, he ponders the ethics of using oxytocin to induce a sense of trust and well-being in someone to enhance interrogation. Or the use of an “anti-sleep” pill to allow soldiers to continue fighting without the need for sleep.

    But it was the discussion of the brain-digital interface that caught my eye. Science hasn’t advanced to Tankborn’s level of circuitry implanted within a subject’s nervous system. But scientists have already used the brain-digital interface for prosthetic limbs, and there’s even potential to allow paralyzed folks to control robotics with their minds. These are far more positive uses for the technology of interfacing with the brain than in Tankborn’s world.

    Moreno proposed two guiding principles for use of the brain-digital interface: “First, the individual should have control over the contents of his or her mind. Second, the individual gets to decide who gets access.” In my fictional world, GENs never have complete control over the contents of their minds, nor do they decide who gets access.

    But that’s part of what makes for an interesting story–characters with seemingly insurmountable obstacles (in this case, both physical and mental slavery) who fight against their oppressors. I have to hope that in the real world this type of technology will only be used for the best purposes, and will be beneficial to all.

  • Tankborn Outtakes

    Back around October 2009, I finished work on a manuscript titled GENeration, a young adult science fiction book. I knew it wasn’t finished finished. I didn’t yet have an agent or editor for the book, but I knew that when I did, they would have their say in further re-writes. But I thought the book was ready enough to start querying agents. It turned out I was deluding myself, but I nevertheless e-mailed out my first query on October 13, 2009.

    I’d been sending out queries for about a month and a half when it occurred to me that having a beta reader look it over would be a really great idea (gee, ya think?). Luckily, I could keep the read in the family via my younger son. He wasn’t exactly swimming in spare time (he was in the third year of his PhD in economics), but he’s a fast reader and brutally honest. He got back to me at the end of November 2009 with suggestions for some pretty extensive changes.

    Of course, I’d already sent the complete manuscript out to a few agents, including the agent who eventually took me on. Hindsight being what it is, this was when I realized I really hadn’t been ready to start querying. Yes, I wish I’d thought to send the book to my son before that first query. But water under the bridge and all that.

    In any case, those agents who had the manuscript were happy to replace it with the new and improved version. I eventually got offers from two agents. The agent I signed with asked for another major re-write before he sent it out. Then the book sold to Lee and Low/Tu Books, and required even more changes including a title morph from GENeration to Tankborn. Tankborn was released in Sept. 2011.

    Along the way, what with all this re-writing and editing, by necessity a lot of material got deleted from the manuscript. As part of the various and sundry editing, there were four quite sizeable chunks that ended up on the cutting room floor. Each of them was at least a few pages long and the content in them was fairly significant. They offered some pretty cool perspectives of life on the planet Loka, where Tankborn is set. Unfortunately, these scenes didn’t do anything to move the story forward. They didn’t “earn their keep” and had to go.

    But I thought it would be fun to put them up on my website, part of some exclusive material that will only be available there. So if you’d like to read what might have been in Tankborn, take a look here. If you haven’t yet read the book, there is some spoilerage, but it is clearly marked. So it’s safe for all to take a peek.

  • We Have a Cover

    Just a short post to announce that I can now reveal the cover art for TANKBORN, my dystopian young adult novel that will be coming out in September 2011 from Lee & Low’s new YA/MG imprint, Tu Books. Lee & Low announced the three launch books on their Open Books blog. You can check out the cover there, or hop on over to my website (where this blog also appears) for a slightly larger version. The blurb for the book is on my booklist page.

    I’m so excited about my cover. I think it looks great. There’s one kind of cool-creepy aspect to the image. If you look closely at it (you’ll have to examine the larger one that’s on my site) you’ll see the floating babies have tattoos on their cheeks that match the one on the heroine, Kayla’s, face. You’ll have to read the book to find out what that’s all about.

    So please check it out and tell me what you think!