Karen Sandler

Tag: revolution

  • Stick to One Genre, Or, Ignoring Perfectly Good Writing Advice

    Original Cover-sBack when I was starting out as a novelist and I was flitting around from genre to genre, I was told to pick one and stick to it. I was told I shouldn’t write one book that’s romance, another that’s science fiction, or God forbid, a romance science fiction novel (which, sigh, I did write). I found that advice irritating because I wanted to write all over the place. In fact, I wanted to write not only novels, but also screenplays and the occasional article and short story.

    Eventually I did settle on romance novels, and then narrowed that down even more to category romances. I still wrote the occasional screenplay in between book contracts, but those scripts didn’t go anywhere (the movie business is really, really hard to break into), so I felt I could really only call myself a romance novelist.

    Awakening Final cover-sAfter 17 romance novels, I got kind of burnt out. I decided to try my hand at young adult fiction. Since I’m not one to waste good material, I decided to take one of my screenplays (a sci-fi thriller) and adapt the story into a YA novel. This eventually became the Tankborn trilogy (I got a lot of mileage out of that one script).

    This is all fine and dandy, you’re probably thinking. I wrote in one genre for a while (romance), then switched to another (YA science fiction).

    Well, yes, except…I got the rights back to 7 of my romance novels. And with the brave new world of indie publishing, I started re-releasing my romances as e-books, under the pen name, Kayla Russo.

    This all worked fairly well. My sexy romances were published as Kayla Russo books, and the YA as Karen Sandler books. There was a squidge of confusion there, what with my Harlequin books still published under Karen Sandler. But since I’m letting Harlequin do the work of promoting those, I didn’t worry my pretty little writer head about it.

    Then I sold Clean Burn to Exhibit A Books. Clean Burn is not a romance and not a YA SF. It’s an adult mystery. It’s–ack!–a third genre. So how was I supposed to market three genres worth of books?

    ARe Sweet Dream LoverFirst, I dropped the pen name. That’s the miracle of indie publishing for you. I had my cover artist revamp the covers with Karen Sandler as author, touched up the files and re-published them. I created another Twitter identity, @karensandler, for the adult stuff and continued using @karensandlerYA for my YA stuff. I am now in the process of splitting out my website (which currently only promotes my YA books) into three choices–YA, Romance, Mystery.

    So, do I regret ignoring the “Stick to One Genre” advice? No. I really wanted to write all the books I’ve written, genre be damned. I do wish it wasn’t so hard to keep all those balls (books?) in the air at one time. I wish every reader loved reading all three genres I’m published in (side note: I recently found out it’s okay to end a sentence with a preposition).

    So, what about you? If you’re a writer, are you doing the genre-flit like me? If you’re a reader, to you love reading a multitude of genres? If you do, thank you from the bottom of my genre-confused heart. You are my kind of reader.

  • A Valentine to Fans

    Chocolate heartThis week, YA Highway’s Road Trip Wednesday celebrates Valentine’s Day by asking, What do you love most about writing?

    At first, I was going to blather on about how I love being a writer because I can work in my PJ’s (not that I ever do…ahem), I can live out my fantasies by creating stories, and it’s so cool to see my name on a book.

    But I’ll tell you what the number one best thing is about being an author–hearing from fans. Getting an e-mail or an an actual written-on-paper letter from someone who has read one of my books and just loved it. Having someone take the time to write me and tell me my stories really meant something to them is guaranteed to put a big smile on my face. I’m often floating for hours after reading a fan letter.

    I do like those other things I mentioned. But hearing from a fan really beats all of them, hands down.

    How about you? What do you love about writing or reading books?

  • Mrs. Sandler Goes to Washington

    After a short weekend visit to NYC to attend the winter conference of the Society of Children’s Writers and Illustrators, I took the train down to DC to visit family. Since I’m under deadline on REVOLUTION, the third book of the Tankborn trilogy, I’ve had to spend time every day working. But I decided to set aside a day to go to the Capitol and check out the Senate and House.

    I dropped by the Hart Building office of one of my two senators and picked up passes for the two chambers. Then I hiked over to the Capitol building a couple of blocks away. Police had the usual entrances blocked off. Apparently Vice President Biden was on his way, and the Capitol was in temporary lockdown. Luckily, a lady I’d struck up a conversation with knew another way in, and she escorted me and a visiting friend inside.

    Another even better stroke of luck happened shortly after I reached the Senate chamber. The members present were pretty sparse–many empty chairs. One of the senators was speaking passionately about the Violence Against Women Act–it’s up for renewal. It doesn’t seem like one of those things that requires a lot of discussion (uh, pass it already), but I guess that’s how Congress works.

    Then the magic happened. It turned out I had timed my arrival perfectly (although in total ignorance). In walked several senators who I immediately recognized–Harry Reid, Chuck Schumer, Al Franken, Patrick Leahy, Elizabeth Warren, and John Kerry. The young woman sitting beside me (who works for a senator) pointed out Mo Cowan. Then Joe Biden arrived in the Senate chamber.

    Vice President Biden called Mo Cowan forward and swore him in as the new senator from Massachusetts. Historic enough–the new Senator Cowan is one of only two black senators currently serving, and yes, two is a record number. But then we all started applauding (we in the gallery took our cue from the floor). Then even more incredibly, everyone on the floor and then in the gallery rose. A standing ovation for Senator Mo Cowan.

    I found out later that applause, let alone a standing ovation, is Just Not Done on the Senate floor/gallery. I was so thrilled to be part of that historic occasion, and it was just by lucky timing. I’d intended to leave for downtown an hour earlier. Instead I spent an hour working and left later. If I’d kept to my original plan, I would have missed Senator Cowan’s swearing in.

    There were more adventures–after my Senate visit, I was escorted via the underground walkways and shuttle to the Senate dining room (again, sheer chance–I happened to talk to the right person). I had a very yummy lunch there (I had no idea you could make mashed cauliflower taste just like mashed potatoes) followed by the incredible Senate Bread Pudding topped with vanilla sauce. My senator walked right past me (didn’t quite have the nerve to say hello). And I had quite an interesting time getting back to the Capitol via the  above ground route to get the jackets I’d checked in the coat room.

    History, democracy, and bread pudding. What a heady mix.

  • Best Book of January – Ashfall

    Today, YA Highway’s Road Trip Wednesday asks What’s the best book you read in January? I’ve actually read a few quite good books this month, but there’s a clear winner–Ashfall by Mike Mullin.

    This post-apocalyptic YA novel starts with a bang, literally. A super-volcano in Yellowstone erupts so powerfully that it flings large chunks of flaming rock a thousand miles away. The main character, an almost-16-year-old boy named Alex, is home alone. His parents and younger sister have gone to visit Alex’s uncle 140 miles away. In true surly teenage fashion (not that all teens are surly, but Alex certainly is), he refuses to go with the rest of his family.

    Then a flaming chunk of volcano falls on his roof and all hell subsequently breaks loose. A series of events lead Alex to decide to go in search of his family, but the ash-covered world has truly ended–no electricity, no communication, and there are some very vicious people roaming the countryside. Luckily, Alex meets up with Darla, whose survival skills complement Alex’s expertise at self-defense, and they’re able to help each other.

    What is especially notable about this book for me is that it stuck with me for days after I read it. Scenes kept drifting into my mind’s eye (like all that ash), bringing me back to the story. Mullin writes the book in such a plausible way. And it’s downright scary to think of what our world would be like if technology disappeared with the exploding of a super-volcano.

    Some of the scenes are very visceral and violent, so it’s not for the faint of heart. In fact, although the book intrigued me from the moment I first heard about it (it was released in September 2011, the same month as my book, Tankborn), I was, to be honest, a little afraid to read it. But it kept coming up when I would search for Tankborn on Amazon (yes, I’m obsessed about my ranking), and I finally decided to order it.

    I’m certainly glad I did, and I’m planning to get Ashen Winter too. The ending of Ashfall just begs for a sequel, and luckily, there’s one ready for me to buy.

    So, what have you read this month?

  • What Should a Writer’s Conference Be?

    NY Street2sHaving just returned from the SCBWI winter conference in NY, I started pondering what the best format for an annual writer’s conference should be. Then it occurred to me that there may not be a “best.” Partly because the attendees are always at different stages in their careers:

    • thinking about becoming an author
    • starting a first book
    • crying out to the gods as they battle with a saggy middle
    • in the middle of revisions with a finished book
    • querying agents/editors with a polished book
    • agents/editors are requesting (yay!)
    • first sale!
    • multi-sales
    • a legend in the business

    There might be some other stages, but this covers a goodly portion. The thing is, each of these authors/writers require something different from a conference. For the first several stages, workshops on craft (plotting, characterization, beginnings, middles, and ends, turning points, dark moments, using compelling language, cutting out the fat, etc) are ideal. The hands-on type are especially useful, where the writers can walk out with something they created during a workshop. They also need inspiration from published authors, whether the old hands or the ones celebrating their first sale.

    As we get into the group with a truly polished manuscript, workshops on query letters would be great, as well as that all important opportunity to meet agents/editors and get an invitation to submit. The chance to find out what editor is looking for what is invaluable for someone with a manuscript ready to go. The craft workshops are probably still valuable for those in this category.

    Those craft workshops might also be useful for those who have made a first sale. From experience, writing one salable book and getting a contract for it does not mean the writer knows everything there is to know about writing. Some tips on how to continually improve are welcome. After all, you have to sell that second and subsequent books.

    For multi-published authors, a view into trends is somewhat useful, although we all know we shouldn’t write to trends. Workshops on the business side of things–contracts, tax issues, avoiding burnout, etc.–are more welcome than how to write a compelling character. It’s not so much that a multi-published author knows everything, but that the most commonly presented material in craft workshops these folks have already heard again and again. In fact, they could present those workshops.

    As to the legends, they would be giving those inspiring keynotes. They might not want to wade into the masses every day of the conference (too exhausting), but sometimes it’s really nice to just be with people who understand you, so I would think that would be a draw for the legendary authors amongst us.

    The organization that I think does the best job of presenting a well-rounded conference, one that covers the most stages of a writer’s career, is Romance Writers of America. They do a real whizbang job of it. It’s fairly expensive, especially if you’re not a member, and some of the workshops will be romance-specific. But there are plenty that are generic enough any genre could get value from them.

    So, what do you think? What would your ideal conference be like?