Tag: tankborn trilogy

A Broken Ankle, a Writing Career, and Playing the Long Game

A few weeks ago, I fractured my right fibula (the smaller bone on the outside of your ankle). I wasn’t doing anything particularly fun or dangerous. I was kind of trotting toward a local pet store, planning to ask to use the bathroom. I leapt up onto the sidewalk, and when the outer edge of my boot hit a groove in the concrete, my foot rolled under. Crunch.

I’d hoped it was just a sprain, in fact had to be talked into going to the doctor. I’m now in an attractive (not) “cam boot” that keeps my ankle stable. The boot is far better than a cast because I can take it off to shower, or to scratch an itch.

But here’s the thing–I’m a fairly active person. I’m in the habit of working out at the gym 3 times a week, dancing at least once a week, and before I sold my mare, I was riding 3-4 times a week. I was in the middle of horse-shopping for a new horse (which I blogged about here). In fact, that day I broke my ankle, my trainer and I were about to head out to try a horse. My trainer thinks it was fate that it happened since the horse we were going to check out wasn’t a good match for me.

Even still, it’s maddening not to be able to continue my usual level of activity and to see my calf muscle shrink. I’m exercising as much as I’m allowed to (I can go to the gym if I wear the boot and can do some strengthening exercises without the boot on). But I have to balance letting the ankle heal with my desire to get back to normal. In other words, much of the process is a waiting game.

Waiting is also a huge part of any author’s career. Take the Tankborn Trilogy. After the long process of writing the first book, Tankborn, I had to wait to hear back from agents. Once I had representation, I had to wait through the process of marketing the book to publishers. Once the book sold to Tu Books, I had to go through the complex process of the rewrite, then wait to see the gorgeous cover art, then wait again until the first book was released in September 2011.

The decision to go to the second and third books of the trilogy took some time, then more writing, more editing, more waiting for release dates. Awakening came out in April 2013, and I have to wait until spring 2014 for Rebellion, the final book of the trilogy.

Same deal with the Janelle Watkins mystery series that starts with the book Clean Burn. After all the waiting, it’s hard to believe that it’s going to be released in the US in less than a month. Back when Exhibit A first gave it the thumbs up was nearly a year ago. Which is kind of blisteringly fast from first offer to release. But it doesn’t seem that way when you’re dying to see the book on the shelves.

But just like I can’t make that ankle heal any faster, no matter how much I will that bone to knit, I can’t make the cycle of book to shelf happen any quicker. Writing and publishing is a long game, whether it’s via the traditional path that the Tankborn Trilogy and Janelle Watkins mysteries have followed or the indie-pubbed trail that my other books have traveled. And just as I can support my healing by eating right and exercising properly, I can support my writing career by writing the best books I can, polish them in as many rewrites as necessary, and do my best to get the word out so those books land in the hands of as many readers as possible.

July 29, 2013
The Magical Formula for a Bestseller (Sorry, there isn’t one)

Some writer friends of mine just got back from the national conference of Romance Writers of America. This is a huge conference, jam-packed with workshops on both the craft and business of writing. When I was a member of RWA, I attended the conference nearly every year.

This year, as I’m sure has been done in previous years, two mega-bestselling authors presented a workshop on writing bestselling novels, this one titled, Secrets of the Bestselling Sisterhood. I’m sure there were many nuggets of great information doled out, and I’ll venture to guess that “write the book of your heart” and “write the best story you can” might have been mentioned once or twice.

With all due respect to those two bestselling authors (who have both worked hard for their success), I have a few thoughts of my own about how one writes a bestselling book. And unlike those folks writing expensive how-to books and pricey workshops that purport to reveal the holy grail of how to craft that next big breakout book, I’m willing to share my opinion for free.

And here it is: There is no recipe. There is no checklist. There is no magical formula to follow that will guarantee a book you’ve written will become a bestseller. We can analyze the heck out of the bestselling novels flying off the shelves of bookstores and selling like hotcakes on Amazon. But none of that analysis will give you a guidebook to follow that will lead to equal success for your book.

The problem with bestsellerdom is that any knowledge gleaned from studying what’s been successful is that it’s hindsight, rear view mirror stuff. You’ll only learn what worked for those particular books. Just putting a boy wizard, a girl crushing on a vampire, or a dystopic future into your story is not a magic wand. There are so many intangibles about bestsellers that are impossible to quantify.

So what’s an author to do? If you want a chance at bestsellerdom (as opposed to 100% certainty), there are some things you can do to improve your odds. These suggestions are along the lines of setting yourself up for success. Like a runner whose goal is to cross the finish line first in their next marathon. A serious runner will train in the months leading up to a race as opposed to being a couch potato right up until race day.

So here are some odds-increasing steps for an author:

1) Write high concept

Write a story you can describe in one succinct sentence. An orphan boy discovers he’s a wizard and is sent off to a wizardry school to learn magic. An annual lottery forces teens to fight each other to the death in a gladiator-style competition. It makes the book easier to market and for the reader to more immediately grasp what the story is about.

2) Write visually

Write scenes you can imagine on a movie screen. Think action, not internal narrative. Make it easy for a producer who happens to pick up your book to envision the movie your book could become. Make it so riveting for your reader she can’t put your book down.

3) Write relatable, likeable characters

Likeable doesn’t mean sweetness and light, namby-pamby nice guys/girls. It means interesting characters, people who are heroic in spite of themselves. Write characters the reader would love to be, to exchange places with. Or, if it’s a harrowing story (like The Hunger Games), write characters so real their plight will grab the reader’s emotional jugular and make them feel as if they’re experiencing what the characters are experiencing.

4) Write fabulous prose

Yes, there are crappily written bestsellers. But yours doesn’t have to be one of them. Particularly if this is your first book, your chances of getting an editor past the first page (or a reader checking out a sample of your indie published book) might hinge on whether said page is riddled with errors.

5) Work denking hard

Write like a maniac. Write lots of books. Most of the big bestselling authors out there didn’t start that way with their first book. It took time and many books to become an overnight sensation.

6) Get lucky

You make a book video, a world-renowned blogger spots it, and it goes viral. You write a blog post about your book and a celebrity stumbles across your blog, picks up and reads the book, and tweets it to her zillions of followers. You end up sitting next to Steven Spielberg’s nephew on a plane and he’s enchanted by your story concept.

Obviously you only have control over items 1-5. And none of the above may help your book become a bestseller. There are plenty of books out there that are high concept, have wonderful, visual scenes, great characters, and beautiful prose, but never became bestsellers. There are books that don’t follow these rules that surprise by becoming big hits.

I admit, too, this isn’t an exhaustive list. I bet you could come up with your own reasons why you enjoyed the last bestseller you read. Or maybe you read a book before it hit big and you just knew it was going to end up on the New York Times and USA Today lists. Tell me what you think are some of the elements of a bestselling novel. #SFWApro

July 22, 2013
Ghost Town Inspiration (How Bodie Became a Book)

Years ago, my mom and stepdad owned a family restaurant in the Eastern Sierras that overlooked Mono Lake. The Mono Inn was four miles north of the small town of Lee Vining, and Lee Vining was about a half mile from the “back gate” to Yosemite National Park.

The restaurant was also about 20 miles south of Bodie State Historic Park, a gold rush/silver mining ghost town. When we would visit my mom and stepdad, at the restaurant, we’d often take a side trip to Bodie. The ghost town is in a “state of arrested decay,” its few surviving wooden structures all that are left of a once bustling town. You can read more about the old ghost town here.

Bodie is quite an evocative place. Empty buildings scattered across the lunar-like landscape, some of the structures with the original furnishings inside. Back when I used to visit the town, there were only two ways in–a road that was dirt for several miles, and another that was paved up to the last two miles, then it was dirt as well. The idea was that when you were inside the “bowl” of the town of Bodie, there would be no signs of modern civilization.

You can see from the photo at left (that’s me with my older son) that the bowl of Bodie is a wild and lonely place. It’s thoroughly snowed-in in the winter. The town actually burned down three times in its heyday (once thanks to a young boy playing with matches) and was considered quite a lawless place. It’s rumored that a young girl whose family was taking her there wrote in her diary, “Goodbye God, I’m going to Bodie.”

Many years later, after my stepdad had died and my mom sold the restaurant, I found myself wanting to write a children’s book. I’d been writing romances that weren’t appropriate for kids, and I wanted to create something that my own boys could read. Besides photos I’d taken, I had read quite a bit about Bodie and decided to use it as a jumping off point for a story.

I considered writing historical fiction. But I love stories with an SF/F/paranormal angle. So I wrote a middle grade time travel adventure in which four 7th graders are thrown from present day Sacramento into 1880’s Bodie due to the antics of a mischievous cat and a malfunctioning computer. I made my cast of characters multi-ethnic. The main character, Kevin, is white, Naomi, the girl Kevin has a crush on, is Chinese-American, Tanya is Black, and Michael is Hispanic (and also ADD). My original plan was to write a story from the POV of each of them, but I never got past this first book.

I eventually sold the book to Hard Shell Word Factory (now an imprint of Mundania Press). They used the photo above of the Cain house for the cover, putting a cobalt blue glass bottle into the window of the house. Here’s the paper version of the book on Amazon showing the old cover.

When I got the rights back to the book, I republished it under my own name as the ebook Timewrecked. I really love this book. I love its adventuresome view of the gold rush era, told through the eyes of modern day kids. I love that it’s such a fantastic teaching tool for 4th grade California history. I’m tickled about its multi-ethnic cast. And here’s the best part–the Timewrecked ebook is free. That’s right, just go to Amazon, Barnes & Noble, or Apple and you can download it for freebies.

If you’re a teacher who’d like to have me do a Skype visit or if you’re local enough to Northern California that I can drive to be there in person, just go here to request an appearance. I do still have paper copies available for students to purchase.

July 14, 2013
The Trials and Tribulations of Book Surgery

Have you ever had a problem right in the middle of a sewing, craft or home improvement project? You’ve just realized you sewed the sleeve on inside out, or your embroidery thread is tangled in the middle of a satin stitch, or you’ve made the cut on your crown molding at the wrong angle. So you have to grab the seam ripper to remove that sleeve, turn it right-side-out and re-sew. Or snip the embroidery thread below the tangle and get that little short bit back underneath your work. Or schlep to the home improvement store for more crown molding and cut it right this time.

It’s a groan-worthy experience, both because you’ve just spent X amount of time in wasted effort and because you have to spend Y amount of time to make it right (can you tell I was a math major?). That’s about the time I start to yell at my sewing machine (and the poor thing is an inanimate object), saying a few choice words not suitable for polite company. I sometimes feel like chucking the whole thing into the garbage bin, but I never do it. That would truly be a waste because I know with just a little more effort, I’ll soon have a nice shirt/skirt/pair of shorts to wear.

This is sort of what’s going on with the young adult paranormal book I’ve been working on. After I finished the most recent rewrite, I knew it needed another pair of eyes. So I did a beta-read trade with another author. She had some excellent feedback, some of which I’d already figured out, some that was more of a doh moment. Like I have far too many characters, and several can be eliminated and their actions shifted to the truly important main and secondary characters.

But to make the changes my beta reader suggested requires some major surgery of the book. Large chunks will be able to remain the same, but they’ll have to be detached with that seam ripper, rearranged the proper way and re-knitted into the story. It’s a good-sized book, rather like a massive quilt, and it’ll be a challenge keeping straight what goes where, particularly with the elimination of several characters.

It’s like I’ve got my book gutted and on the operating table, but I’m still not sure where all the parts go. I am truly grateful for my beta reader’s feedback. I’m excited by the prospect of making the book better. But wow, what a messy project.

I’m really just starting out reassembling this odd garment of a story. I only have a small window to work on it since I’m carving out time before I my editor returns the edited manuscript for Rebellion, the third book of the Tankborn trilogy. I probably don’t have quite enough time to get the YA paranormal rewrite done before I have to shift to Rebellion and then my second Janelle Watkins mystery. It will be so nice to finish it eventually though, to get those last seams pressed and the final bit of embroidery around the neckline. Then I’ll sit back, admire my work…and send it to another beta reader.

So what projects have you got going, writing, craft, or other? Have they been a straightforward or a tricky job? Share your stories.

#SFWApro

July 9, 2013
When Fiction Becomes Future…or Present

Science fiction is a funny genre. There are those (like me) who devour it, who sometimes feel there’s something missing in a book that doesn’t include at least a little imagined science. Then there are those who just don’t get the genre, are completely alienated by it. To them, it’s weird and unreal.

Yet in the best science fiction, there’s nothing more real. It looks ahead to what might be and extrapolates not just the science, but how people adapt to the science. It can show how one change, small or large, completely transforms a people, a society.

The Green Movement in Iran and the more recent Arab Spring got me thinking about a Larry Niven story I read thirty or so years ago. “Flash Crowd” showed the impact of the transfer booth, an instantaneous, essentially free form of travel. You step into a transfer booth down on the corner near your house (like a way cooler bus stop) and in the next moment you’re downtown, or at the university or at the local mall.

What happens in the story is that folks start hearing about something interesting going on at Santa Monica mall (a stretch of several pedestrian-only open air blocks in Santa Monica, CA) and all those people jump into transfer booths. This near immediate influx of people on the mall leads to a riot, something that never could have happened if folks had to climb into their cars, negotiate Los Angeles freeway traffic, find a place to park, etc. Easy availability of transfer booths = riot.

Transfer booths haven’t been invented yet, but think about their virtual equivalent. The Internet. Facebook. Twitter. Texting. The demonstrators during the Arab Spring used those near instantaneous forms of communication to organize, to plan, to keep their compatriots and sympathizers and the outside world updated as to conditions on the ground. The protesters couldn’t instantaneously appear in the streets of Cairo or Damascus, but the Internet and cell phones have facilitated their movements.

What Larry Niven predicted when he published “Flash Crowd” in 1973 didn’t come literally true. We still haven’t figured out how to instantaneously transport matter from point A to point B. But that phenomenon of informing the world in an instant has come to pass and in the case of the Arab Spring (despite the current state of affairs in Syria), I think that can be a good thing.

Have you read a book or a short story that has projected a possible future? Have you seen that projected future become now? Leave a comment. Include the title and author if you have it.

May 23, 2013