Category: Writing Craft

My Characters’ Miserable Lives & NOT Drawing from Personal Experience

A good friend of mine emailed me recently. She’d just finished reading Clean Burn, my crime novel from Exhibit A. Clean Burn’s heroine, Janelle Watkins, is, shall we say, edgy. Janelle comes from an abusive childhood, is twitchy and dark, and has a rather alarming self-destructive habit.

My friend praised the book’s story and the realism of Janelle’s character, but there seemed to be an unspoken question in the email. Out of concern for me, I think my friend was fishing around for information. I think she was wondering if maybe I’d written Janelle’s dark character from personal experience. The short answer–no. The long answer–um, well, no again.

I had a pretty unremarkable childhood. I did get the occasional, rare spanking (it was more the thing to do when I was a kid), but abuse? Uh uh. No way. In fact most often, my mom would wave that wooden spoon around and we’d all take off for the hills. I don’t think she had the heart to actually use it anyway.

Am I harboring any secret, self-destructive habits? Erm, no again, unless you count my occasional over-indulgence in ice cream. I’ve also never been shot in the leg or had an affair with a married man, although Janelle has gone through both of those experiences.

I think it’s pretty fabulous that my friend thought Janelle’s character was so realistic that she worried I’d based her on my own personal experiences. Nice to know I’d written such a convincing, compelling character. But a teensy little part of myself was the weensiest bit annoyed.

Why? Because it ignores a very important part of this character-creation equation. The fact that I’m a professional. I write for a living. Creating realistic characters and making them miserable/heroic/strong with weaknesses/evil with redeeming qualities is part of my job. Creating complex stories that fill a novel, also part of my skill set. Writing dialogue or narrative that intrigues, moves the emotions, keeps the reader reading, ditto.

There’s a piece of writing advice that is oft-repeated, that I’m sure you’ve all heard: Write what you know. That might be where my friend got the notion that I must have gone through something horrible in order to write my character so realistically. But a writer (luckily) has another important tool in her toolbox to draw upon when venturing into the unknown–her imagination. What I don’t know first hand, I imagine. In other words, I make it up.

No, I don’t make up my characters and their stories entirely out of whole cloth. I do take experiences from my own life and from the lives of those I know well (beware, friends, you might end up in one of my books :-)), and I observe the lives of strangers. I read widely, diversely, seeking out the interesting and mundane. All of these elements I weave into a character like Janelle Watkins from Clean Burn, or Kayla 6982 from Awakening, or Sarah Meyer from “The Eighth Gift,” my contribution to the Celebrate holiday anthology.

The end result is indeed a little bit of me in every character. But much, much more of that fictional person is just a figment of my fertile imagination.

Clean Burn–buy the Kindle version here or the Nook version here

Awakening–buy the Kindle version here or the Nook version here

Celebrate–buy the Kindle version here or the Nook version here

November 14, 2013
Horse Trading, and Is Your Writing Really Ready?

Back in July, I blogged about how I was shopping for a new horse. I compared the process to figuring out which of the multitude of writing projects you might want to work on next. Then a few weeks later, I whined about my broken ankle and how difficult it is to wait–for an ankle to heal or for a writing career to get up and running.

Well, my ankle is now ready for prime time (or horseback riding), but my search for a new riding partner has thus far not borne fruit. It’s not for lack of trying. It turns out to be harder than I thought to find a horse in my price range with the kind of training I’m looking for. To find one that’s not too young and not too old. To find one that’s been actually ridden and worked recently rather than hanging around getting fat out in a pasture.

So far, I’ve seriously considered more than a dozen horses. Sometimes I never even went to ride them because my trainer and I looked at video and saw they wouldn’t work for me. Others we rejected because the owners refused to send us recent video. If horse is a couple hours drive away, I want to see video first. I’d hate to drive all that way to see a horse and have it turn out be a waste of time, time I could have saved if I’d seen the way the horse moves.

While there were a few I’ve gone to look at which were nice, but I just didn’t click with, there have also been several with peculiar stories:

•   There was the 8-year-old that I’d thought was trained, but had barely had a few months under saddle
•   There was the 11-year-old that hadn’t been ridden in four years. I wouldn’t have even visited this horse, except every time I asked the owner about how much work the horse had done, the story changed until I finally found out the truth when I went to see it.
•   There were two with unusual medical problems—no fault of the horses, or the owners (they were honest), but it sure explained how cheap they were.
•    My favorite was the “imaginary” horse. I responded to an ad and the seller sent video of a wonderful mare. But when my trainer and I tried to make plans to go see the mare in person and ride her, we were told someone else was buying the horse. The seller said if I sent half-payment, she would cancel the other deal and put the mare on a horse trailer for me. Sight unseen. Um, no.
•   There was the lovely gelding that the seller insisted on full price for, which I reluctantly agreed to, then she refused to take a cashier’s check as payment. Cash only, she said, because she didn’t have a bank account (!). I said no thanks.
•   There was the seller who had sent pictures of her gelding including closeups of the horse’s feet (the condition of the hooves is a very important consideration). The pictures she herself had sent showed chips, cracks, and nail holes from previous shoeings, yet the seller said the horse had great feet that never chipped, cracked, or needed shoes. My farrier gave that one a thumbs down.

I always like to turn my personal stories into object lessons for writers. In this case, I can see a bit of an analogy between the various horse traders and writers I’ve known who have finished a manuscript. They think they’ve got a wonderful, polished piece of work. They’re absolutely certain their manuscript is in fantastic shape, ready to hit the marketplace. They’re anticipating a huge advance for a book as great as theirs is. They’re also sure they won’t have the least problem selling it.

Then reality hits when they submit their books to agents or editors. It gets rejected again and again: Not right for us or Not suitable.

It could be that your book just didn’t click with an agent, like those two horses I rode that were nice, but not for me. But it’s more likely you didn’t put in your time with that book to make it irresistible.

Sometimes buyers are glad to put in the time on an untrained horse if they see its potential. By the same token you might find an agent or editor who will see a gem in the rough with your book and be willing to help you get it polished. But just as there are far fewer buyers out there with the skill and inclination to re-make a green horse into a show-ready champion, you will be hard-pressed to find an editor/agent who’s willing to make your rough draft manuscript into a polished bestseller.

So put that training on your horse…er, polish up that manuscript. And improve your chance of finding the agent or editor of your dreams.

Buy the first two books of the Tankborn science fiction trilogy: Tankborn and Awakening. Buy Clean Burn, a crime novel featuring private investigator Janelle Watkins.

October 1, 2013
Deadline Hell

Your regularly scheduled blog will return when The Denking Book is Done. And whoever stole my rewrite fairy wand had better return it NOW.

Meanwhile, a kitten to soothe you.

September 12, 2013
Taking Responsibility for Your Pets–Or Your Fictional Characters

Almost three-and-a-half years ago, I had to say goodbye to my orange long-haired cat, Charlie. He was a wonderful cat, and sorely missed. But after a few months, I started thinking about how much I like having three cats and decided I would be open to the possibility of adopting another kitty.

As circumstances would have it, a feral cat had kittens right outside my son and daughter-in-law’s apartment. My son and dil coordinated with a local cat rescue organization and planned to capture the kittens and bring them in. Sadly, they could only grab one before the rest of them scattered.

Still working with the rescue group, they got the little kitten fairly comfortable with humans, then arranged for me to adopt him. Rather, they arranged for me to adopt her–there was a little confusion about gender, even after the kitten arrived at my house. It took me calling the vet and confirming that yes, she did a neuter and not a spay, to establish that the new addition was Zak, not Zoey.

It had been a long time since I had adopted a kitten and a feral kitten was a…well, a cat of a different color. He lived in my office for a few weeks, and whenever something startled him (which was often), he would race into the corner under my printer, completely out of reach. He would burrow under the covers at night, keeping me awake. He would play fetch with a toy mouse. And sometimes he would hide somewhere in the house, terrifying me that he’d gotten outside and was lost.

He’s now one of the best cats I’ve ever had, although at 13+ pounds, he can be quite a lapful. He still dips a paw into his water dish to lick it off and test it before drinking. And although he doesn’t play fetch, he’ll still run around the house carrying that mouse in his jaws.

What does this have to do with fictional characters? Well, they may not be living, breathing beings, but they can be as complex and problematical as a finicky feral kitten. You have to consider characters them from every angle, and take as good care of them as you would that pet cat.

How do you “take care” of a fictional character? You get to know them inside and out. You write dialogue for them that fits them, give them actions that are realistic for their personality, write a storyline for them that allows them to achieve the goals you carefully set up for them. You make them seem as real as that wide-eyed kitten I adopted.

You don’t make them a prominent character at the beginning of the book, so your reader thinks they’re important to the story, then drop them partway through, never to be seen again. You don’t introduce them a hundred pages in, as if they’re an afterthought. If it’s a minor character that’s intended to have a small role, that’s okay. But even minor characters must be necessary to a story, and have their part to play out. They can’t just be dropped in and dropped out at a whim, any more than you would adopt a kitten for no particular reason, then return it a week later.

Okay, maybe I’m stretching the cat analogy a bit. I am this close to being a cat lady and could go on and on about felines until your eyes glaze over. But I’m also a fanatic about characters, about every one having a purpose, and each character behaving in such a way that makes sense. When a character acts out of character in a book, it spoils the story for me.

So, cats or characters, make a commitment. Take responsibility. Give them the care and feeding they both deserve.

August 17, 2013
The Magical Formula for a Bestseller (Sorry, there isn’t one)

Some writer friends of mine just got back from the national conference of Romance Writers of America. This is a huge conference, jam-packed with workshops on both the craft and business of writing. When I was a member of RWA, I attended the conference nearly every year.

This year, as I’m sure has been done in previous years, two mega-bestselling authors presented a workshop on writing bestselling novels, this one titled, Secrets of the Bestselling Sisterhood. I’m sure there were many nuggets of great information doled out, and I’ll venture to guess that “write the book of your heart” and “write the best story you can” might have been mentioned once or twice.

With all due respect to those two bestselling authors (who have both worked hard for their success), I have a few thoughts of my own about how one writes a bestselling book. And unlike those folks writing expensive how-to books and pricey workshops that purport to reveal the holy grail of how to craft that next big breakout book, I’m willing to share my opinion for free.

And here it is: There is no recipe. There is no checklist. There is no magical formula to follow that will guarantee a book you’ve written will become a bestseller. We can analyze the heck out of the bestselling novels flying off the shelves of bookstores and selling like hotcakes on Amazon. But none of that analysis will give you a guidebook to follow that will lead to equal success for your book.

The problem with bestsellerdom is that any knowledge gleaned from studying what’s been successful is that it’s hindsight, rear view mirror stuff. You’ll only learn what worked for those particular books. Just putting a boy wizard, a girl crushing on a vampire, or a dystopic future into your story is not a magic wand. There are so many intangibles about bestsellers that are impossible to quantify.

So what’s an author to do? If you want a chance at bestsellerdom (as opposed to 100% certainty), there are some things you can do to improve your odds. These suggestions are along the lines of setting yourself up for success. Like a runner whose goal is to cross the finish line first in their next marathon. A serious runner will train in the months leading up to a race as opposed to being a couch potato right up until race day.

So here are some odds-increasing steps for an author:

1) Write high concept

Write a story you can describe in one succinct sentence. An orphan boy discovers he’s a wizard and is sent off to a wizardry school to learn magic. An annual lottery forces teens to fight each other to the death in a gladiator-style competition. It makes the book easier to market and for the reader to more immediately grasp what the story is about.

2) Write visually

Write scenes you can imagine on a movie screen. Think action, not internal narrative. Make it easy for a producer who happens to pick up your book to envision the movie your book could become. Make it so riveting for your reader she can’t put your book down.

3) Write relatable, likeable characters

Likeable doesn’t mean sweetness and light, namby-pamby nice guys/girls. It means interesting characters, people who are heroic in spite of themselves. Write characters the reader would love to be, to exchange places with. Or, if it’s a harrowing story (like The Hunger Games), write characters so real their plight will grab the reader’s emotional jugular and make them feel as if they’re experiencing what the characters are experiencing.

4) Write fabulous prose

Yes, there are crappily written bestsellers. But yours doesn’t have to be one of them. Particularly if this is your first book, your chances of getting an editor past the first page (or a reader checking out a sample of your indie published book) might hinge on whether said page is riddled with errors.

5) Work denking hard

Write like a maniac. Write lots of books. Most of the big bestselling authors out there didn’t start that way with their first book. It took time and many books to become an overnight sensation.

6) Get lucky

You make a book video, a world-renowned blogger spots it, and it goes viral. You write a blog post about your book and a celebrity stumbles across your blog, picks up and reads the book, and tweets it to her zillions of followers. You end up sitting next to Steven Spielberg’s nephew on a plane and he’s enchanted by your story concept.

Obviously you only have control over items 1-5. And none of the above may help your book become a bestseller. There are plenty of books out there that are high concept, have wonderful, visual scenes, great characters, and beautiful prose, but never became bestsellers. There are books that don’t follow these rules that surprise by becoming big hits.

I admit, too, this isn’t an exhaustive list. I bet you could come up with your own reasons why you enjoyed the last bestseller you read. Or maybe you read a book before it hit big and you just knew it was going to end up on the New York Times and USA Today lists. Tell me what you think are some of the elements of a bestselling novel. #SFWApro

July 22, 2013