Category: Writing Craft

  • Ghost Town Inspiration (How Bodie Became a Book)

    Mono Lake in WinterYears ago, my mom and stepdad owned a family restaurant in the Eastern Sierras that overlooked Mono Lake. The Mono Inn was four miles north of the small town of Lee Vining, and Lee Vining was about a half mile from the “back gate” to Yosemite National Park.

    The restaurant was also about 20 miles south of Bodie State Historic Park, a gold rush/silver mining ghost town. When we would visit my mom and stepdad, at the restaurant, we’d often take a side trip to Bodie. The ghost town is in a “state of arrested decay,” its few surviving wooden structures all that are left of a once bustling town. You can read more about the old ghost town here.

    ChurchBodie is quite an evocative place. Empty buildings scattered across the lunar-like landscape, some of the structures with the original furnishings inside. Back when I used to visit the town, there were only two ways in–a road that was dirt for several miles, and another that was paved up to the last two miles, then it was dirt as well. The idea was that when you were inside the “bowl” of the town of Bodie, there would be no signs of modern civilization.

    Eric & Mom FarYou can see from the photo at left (that’s me with my older son) that the bowl of Bodie is a wild and lonely place. It’s thoroughly snowed-in in the winter. The town actually burned down three times in its heyday (once thanks to a young boy playing with matches) and was considered quite a lawless place. It’s rumored that a young girl whose family was taking her there wrote in her diary, “Goodbye God, I’m going to Bodie.”

    BarnMany years later, after my stepdad had died and my mom sold the restaurant, I found myself wanting to write a children’s book. I’d been writing romances that weren’t appropriate for kids, and I wanted to create something that my own boys could read. Besides photos I’d taken, I had read quite a bit about Bodie and decided to use it as a jumping off point for a story.

    Cain HouseI considered writing historical fiction. But I love stories with an SF/F/paranormal angle. So I wrote a middle grade time travel adventure in which four 7th graders are thrown from present day Sacramento into 1880’s Bodie due to the antics of a mischievous cat and a malfunctioning computer. I made my cast of characters multi-ethnic. The main character, Kevin, is white, Naomi, the girl Kevin has a crush on, is Chinese-American, Tanya is Black, and Michael is Hispanic (and also ADD). My original plan was to write a story from the POV of each of them, but I never got past this first book.

    I eventually sold the book to Hard Shell Word Factory (now an imprint of Mundania Press). They used the photo above of the Cain house for the cover, putting a cobalt blue glass bottle into the window of the house. Here’s the paper version of the book on Amazon showing the old cover.

    TimewreckedWhen I got the rights back to the book, I republished it under my own name as the ebook Timewrecked. I really love this book. I love its adventuresome view of the gold rush era, told through the eyes of modern day kids. I love that it’s such a fantastic teaching tool for 4th grade California history. I’m tickled about its multi-ethnic cast. And here’s the best part–the Timewrecked ebook is free. That’s right, just go to Amazon, Barnes & Noble, or Apple and you can download it for freebies.

    If you’re a teacher who’d like to have me do a Skype visit or if you’re local enough to Northern California that I can drive to be there in person, just go here to request an appearance. I do still have paper copies available for students to purchase.

  • The Trials and Tribulations of Book Surgery

    Have you ever had a problem right in the middle of a sewing, craft or home improvement project? You’ve just realized you sewed the sleeve on inside out, or your embroidery thread is tangled in the middle of a satin stitch, or you’ve made the cut on your crown molding at the wrong angle. So you have to grab the seam ripper to remove that sleeve, turn it right-side-out and re-sew. Or snip the embroidery thread below the tangle and get that little short bit back underneath your work. Or schlep to the home improvement store for more crown molding and cut it right this time.

    Sewing MachineIt’s a groan-worthy experience, both because you’ve just spent X amount of time in wasted effort and because you have to spend Y amount of time to make it right (can you tell I was a math major?). That’s about the time I start to yell at my sewing machine (and the poor thing is an inanimate object), saying a few choice words not suitable for polite company. I sometimes feel like chucking the whole thing into the garbage bin, but I never do it. That would truly be a waste because I know with just a little more effort, I’ll soon have a nice shirt/skirt/pair of shorts to wear.

    This is sort of what’s going on with the young adult paranormal book I’ve been working on. After I finished the most recent rewrite, I knew it needed another pair of eyes. So I did a beta-read trade with another author. She had some excellent feedback, some of which I’d already figured out, some that was more of a doh moment. Like I have far too many characters, and several can be eliminated and their actions shifted to the truly important main and secondary characters.

    But to make the changes my beta reader suggested requires some major surgery of the book. Large chunks will be able to remain the same, but they’ll have to be detached with that seam ripper, rearranged the proper way and re-knitted into the story. It’s a good-sized book, rather like a massive quilt, and it’ll be a challenge keeping straight what goes where, particularly with the elimination of several characters.

    It’s like I’ve got my book gutted and on the operating table, but I’m still not sure where all the parts go. I am truly grateful for my beta reader’s feedback. I’m excited by the prospect of making the book better. But wow, what a messy project.

    Awakening Final cover-sI’m really just starting out reassembling this odd garment of a story. I only have a small window to work on it since I’m carving out time before I my editor returns the edited manuscript for Rebellion, the third book of the Tankborn trilogy. I probably don’t have quite enough time to get the YA paranormal rewrite done before I have to shift to Rebellion and then my second Janelle Watkins mystery. It will be so nice to finish it eventually though, to get those last seams pressed and the final bit of embroidery around the neckline. Then I’ll sit back, admire my work…and send it to another beta reader.

    Full CoverSo what projects have you got going, writing, craft, or other? Have they been a straightforward or a tricky job? Share your stories.

    #SFWApro

  • Horse Shopping, Or, Choosing Among Writing Projects

    I recently sold my beautiful Andalusian/Morgan mare, Belle. She and I had been together for eight years, and we learned a lot from each other. Now she’s off to a new home, helping another rider learn the fine points of dressage.

    So I’m horse shopping. I have a clear idea of what I want in a new horse: not too young, not too old. Not located too far away (not going to check out that great horse in Vermont). I definitely want an easy-going gelding. Size matters–neither a 13H pony nor an 18H draft horse will do. And there’s only so much I can spend (sadly, I’m not independently wealthy yet). Which means it might take a while to find the perfect partner. But here are some of my current options:

    TOSHIBA Exif JPEGThis is Sequoia Mambo Man, an 8-year-old, 15.2H palomino Morgan. Very cute, and sounds like the easy-going temperament I’m looking for. But not a whole lot of miles under saddle yet.

    Bentley JumpingThis is Bentley, a 6-year-old, 15.3H Quarter Horse Paint. I don’t jump like you see Bentley doing in the picture, but I’ve seen videos of him ridden dressage too. He seems to have a decent amount of training under his belt.

    Kato cropThis is SQR Kato, a 9-year-old, 15.1H bay Arabian. The owner says he’s very quiet, and he looks quite talented as a dressage horse. This one seems to have the most training of the three.

    There are a few others I have my eye on, but you get the idea.

    So what does this have to do with choosing writing projects? Well, imagine that you’ve just finished a book (let’s call it THE BEST BOOK EVER). Finished as in, TBBE is completely polished to a quality where your agent is now shopping it around, or you’ve submitted to your editor. Or if you’re an indie-pubbed author, TBBE is completely vetted and ready to be uploaded to the various online booksellers.

    Now what do you do? All those story ideas that have been shoved to the back burner while you were getting TBBE to a publishable stage are now competing for your attention. Do you work on that hysterically funny romantic comedy you’ve been dying to start? The young adult paranormal that wakes you up in the middle of the night, the scenes so clear they’re begging to be written? Or that thriller that’s so powerful you can visualize it as not only a novel, but a film?

    How do you decide? One way is to do it the way I will probably choose amongst those horses I told you about. I will probably use something like the following checklist:

    • Which one do you feel the strongest about, with which one do you have the strongest connection? Just as it will be easier for me to work with a horse I really like, it will be much easier for you to spend the months it takes to write a novel if the concept is one you feel connected to and excited about.
    • Which one is the most developed? With a horse, I’ll consider how many months or years of training or under-saddle work he’s done. With a story idea, you have to think about how well fleshed out the plot is, how developed the characters are, and how comprehensively you’ve imagined the settings or world of the characters.
    • Which one is most likely to get you where you want to go? With a horse, the one that’s best trained and has the conformation and movement for dressage would be my best choice. When it comes to story ideas, you really have to look at the reality of your career and the marketplace. Have you got two books of a thriller series out that’s just begging for a third, but you’re considering detouring into a romantic fantasy novel? Maybe not the best choice, career-wise. Better to write that third thriller, and get back to the romantic fantasy later.

    It’s possible to fall in love with the wrong horse, and quite possible to become enamored with a story idea that’s not to your advantage to pursue. Go into both transactions with a level head, a clear eye, and you’re sure to make the right choice. And remember, with story ideas (unlike horses), the one you set aside will always be waiting for you to explore later.

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  • Desert Island Necessities (What does an author really need?)

    Ferry-2A sImagine, if you will, that your cruise ship hit an iceberg, encountered a hurricane or wandered into the Bermuda Triangle. You’ve managed to escape unscathed and have landed on a desert island all by your lonesome. Abundant food is everywhere, just waiting for you to pluck it from a tree or bush, but what will ease your loneliness? And if you happen to be an author like me, how will you get your work done (sorry, no slackers, even for the shipwrecked).

    While you sit on a beautiful sandy beach bemoaning the loss of that gorgeous sequined dress (or killer tux) that you’d planned to wear to the captain’s dinner, ten crates from the wreckage float up on shore. You check the labels and are delighted to discover that these boxes hold exactly what you would most want, both to soothe you personally, and to keep you on track writing your novel, all while trapped on a desert island awaiting rescue.

    So, what’s in the first five boxes?  Here’s my list, everything I need for personal comfort:

    1) Chocolate (preferably dark)

    2) An assortment of novels (science fiction, mystery, romance)

    3) An mp3 player loaded with music (classical, country, soft rock)

    4) A house-sized tent, complete with plush air mattress (a girl needs her comfort)

    5) A flare gun (a girl can also be practical)

    And for my author side:

    1) Chocolate (a necessity for all occasions)

    2) A solar-powered, water-proof, sand-proof laptop

    3) Word processor, dictionary & thesaurus software

    4) At least a dozen ideas (Mmm, probably won’t get those from a box)

    hp photosmart 7205) A cat to keep me company (and that one definitely shouldn’t come floating up in a box)

    So what lands on your white sand beach?  What would be impossible to live without on an isolated island? If you’re an author, what would you desperately need? Let me know in the comments.

  • Fake Blood and Shooting After Dark–the Making of a Vampire Flick

    Poster 2At this point in my career, I’m a dedicated novelist. I’m sticking to writing and promoting my traditionally published books like the Tankborn Trilogy and the upcoming Janelle Watkins mysteries, as well as my indie published romances.

    But there was a time when I would fill in the gaps waiting for an editor’s notes or when I was between book contracts by writing screenplays. I’d work on my own or with a producer to write feature length scripts. I was a member of the Writers Guild of America and made a little bit of money as a screenwriter.

    I’d also play around with short films. I’d write a short script (ten or so pages, which translated into about 10 minutes of film), then find ways to produce that script. It helped having a friend with a production studio (The Studio Center) complete with cameras, sound equipment, a green screen, and editing bay. Frank would charge me bargain rates in exchange for directing credit.

    Sweet Tooth was one such project. I’d gotten the idea years before and had intended to write it as a short story. I ended up writing it as a short script instead. Here’s the logline for Sweet Tooth: It’s Trish’s last chance–she either makes big sales at her next WundaWare party, or she’s history.  Trish does her best, but she can’t seem to overcome an irresistible temptation that ruins everything.

    Linda-Karen-Frank Since this was a super-low-budget film, I had to make some choices in the writing of it. I had to be able to shoot the whole film in one location–my house. Since it was a vampire movie and shooting “day for night” wasn’t practical, it all had to be shot after dark. Other than the camera and sound work (and the editing later), I did pretty much everything. I was writer, producer, set decorator, propmaster, continuity, and craft services. All the props came from either my own kitchen or the dollar store. The actors all worked for credit only.

    We shot over two weekends, Friday and Saturday nights. There were a few pitfall in our choice of a production window. First, we started on the night of the summer solstice, which meant it was the longest day of the year. Waiting for “dark” made for a very late start each night.

    Myrtle-deadThe other issue was that the first couple days of shooting were hot-hot-hot (we can get over 100 degrees here) and my AC wasn’t working right. So it was sweltering in the house.

    We were all troopers, though. I got to make some fake blood on the fly (corn syrup with red dye and a touch of chocolate syrup for color). I’d sold Tupperware for 15 months back in my 20s, so I had a lot of fun setting up a display of the faux plasticware, WundaWare. I also enjoyed getting inventive with the various rooms of my house, transforming them into the sets we needed.

    Trish-vanityMy takeaway from the experience is that filmmaking is an entirely different animal than publishing. The biggest difference is how many people are involved. Yes, when you’re publishing a book, you rarely do everything yourself, even if you go indie. There will be an editor, a cover designer, marketing folks, and if it’s print, someone to manufacture the book.

    But imagine if books were written like films are made. You’d have to hire people to act out your characters. You’d have to bring in a propmaster to acquire every single item you’ve described in your scenes, plus a set decorator to lay everything out. A sound crew would have to record the sound or you wouldn’t have any dialogue. A gaffer would have to make sure the lighting is just right, or your reader wouldn’t be able to see who or what is in that scene. And craft services had better feed everyone, or your characters would be getting mighty cranky.

    [youtube=http://www.youtube.com/watch?v=8g9lU5MVM-k]

    That would certainly make things a lot livelier for the novelist–and a lot more expensive and time consuming to write a book. I think I prefer the thinking-it-all-out-in-my-head-and-typing-it-on-my-computer way of doing things. That way, the only one filching out of my refrigerator is me. My characters can just eat air.

    How about you? Have you ever been involved in a film production? I’d love to hear your experience.